Plath structures her poem in a certain way in order to create different effects. For example, enjambment is used: "The second time I meant/To last it out and not come back at all." Sylvia uses enjambment in order to make the poem run more smoothly. Also, end-stopped lines are used alongside enjambment: "The sour breath/Will vanish in a day." Enjambment and end-stopped lines are opposite ways of ending a line of a poem. Also, the end-stopped lines are irregularly placed. Therefore, this contrast and irregularity of structure makes the reader abruptly stop and think unexpectedly throughout the poem: "My knees." This makes the speaker almost spit the words out as they read, which adds to the demonic tone of this poem. The metre of this poem is an iambic pentameter because the 10 syllable lines, when read aloud, clearly follow an unstressed to stressed pattern: "A sort of walking miracle, my skin". However, this metre is not completely accurate throughout the poem. This adds to the irregularity of the poem and makes the reader sound less robotic and fixed to one metre throughout. Irregularity can also be seen in the rhyme scheme of this poem. There is no clear rhyme scheme, making it irregular. Moreover, there are some half rhymes:
Plath structures her poem in a certain way in order to create different effects. For example, enjambment is used: "The second time I meant/To last it out and not come back at all." Sylvia uses enjambment in order to make the poem run more smoothly. Also, end-stopped lines are used alongside enjambment: "The sour breath/Will vanish in a day." Enjambment and end-stopped lines are opposite ways of ending a line of a poem. Also, the end-stopped lines are irregularly placed. Therefore, this contrast and irregularity of structure makes the reader abruptly stop and think unexpectedly throughout the poem: "My knees." This makes the speaker almost spit the words out as they read, which adds to the demonic tone of this poem. The metre of this poem is an iambic pentameter because the 10 syllable lines, when read aloud, clearly follow an unstressed to stressed pattern: "A sort of walking miracle, my skin". However, this metre is not completely accurate throughout the poem. This adds to the irregularity of the poem and makes the reader sound less robotic and fixed to one metre throughout. Irregularity can also be seen in the rhyme scheme of this poem. There is no clear rhyme scheme, making it irregular. Moreover, there are some half rhymes: