Lesbian images have been entering into mainstream media more and more. Some argue that this is a sign of a wider acceptance of lesbianism in Western culture. In this paper, two mainstream television programs, Grey’s Anatomy and Law and Order: SVU, will be looked at to assess the nature of lesbian images. It will be argued that if and when lesbians are portrayed in mainstream television they are highly feminized, desexualized, and their lives are almost always framed in ways that appeal to heterocentric norms. Thus, mass media almost always fails to provide the viewer with an accurate and unbiased perception of lesbianism or homosexuality in a broader sense.
Grey’s Anatomy has emerged onto the lesbian scene in the last couple of years by developing Callie Torres, a beautiful, vivacious, Latino woman, into a lesbian in the fifth season. A friendship develops between her and Erica Hahn, a successful, ‘sassy’, and appealing newcomer, and it gradually progresses into something more until finally the two share a kiss. Before the romance can flourish, Torres wrestles with her sexuality, her fears, and her lack of understanding of lesbianism. Soon after the relationship establishes itself, Hahn unexpectedly breaks up with Torres and leaves the show. Typical... or is it? A season later, Arizona Robbins, a semi-regular of the show, comes into focus when she blatantly hits on Torres. Shortly after, the two start to date and later find themselves in a committed relationship. The question is how good a job does the show do of accurately portraying lesbians?
To start, all three of the women mentioned above are attractive and feminine. All three have long flowing hair - always nicely styled and maintained - and pretty faces carefully done up with light make-up. This is what Ann Ciasullo refers to as “sanitizing of the lesbian through her feminizing” (599). In other words, Grey’s Anatomy offers up an image of lesbians that