My fairytale is set in an enchanted forest that is similar to our world. “The grass was cyan, and the trees had deep violet leaves and orange bark... The grass didn’t feel the same as it did back in Rose’s homeworld. It felt soft and almost fluffy” (Morisue Lesser 1). These small differences in the color and texture of the trees and grass add enchantment to a world that mirrors our own. The visual of a forest with trees and lush grass is familiar to us; however, changing their color makes the setting faerie. The dragons in my story add to the setting because they are mythical beings that could never exist in our world. Fairy tales allow us to escape from the evil and progress of the primary world into the world of faerie. “It is part of the essential malady of such days— producing the desire to escape, not indeed from life, but from our present time and self-made misery— that we are acutely conscious both of the ugliness of our works, and of their evil” (Tolkien 32). In my fairytale, I use juxtaposition to show the main evil in my story, the waiting room. “It seemed eerily modern compared to Pesh’s old house and the barrenness of the
My fairytale is set in an enchanted forest that is similar to our world. “The grass was cyan, and the trees had deep violet leaves and orange bark... The grass didn’t feel the same as it did back in Rose’s homeworld. It felt soft and almost fluffy” (Morisue Lesser 1). These small differences in the color and texture of the trees and grass add enchantment to a world that mirrors our own. The visual of a forest with trees and lush grass is familiar to us; however, changing their color makes the setting faerie. The dragons in my story add to the setting because they are mythical beings that could never exist in our world. Fairy tales allow us to escape from the evil and progress of the primary world into the world of faerie. “It is part of the essential malady of such days— producing the desire to escape, not indeed from life, but from our present time and self-made misery— that we are acutely conscious both of the ugliness of our works, and of their evil” (Tolkien 32). In my fairytale, I use juxtaposition to show the main evil in my story, the waiting room. “It seemed eerily modern compared to Pesh’s old house and the barrenness of the