Tim O Brien Literary Analysis

There are instances when imaginary stories are more powerful than those that actually happened. The fictional reality present in O'Brien's The Things They Carried adds more realism to his writing than any amount of actual details every could. Even though the stories recounted in the book didn't physically happen, they still hold as true as any actual war story. Furthermore, many of the characters and experiences found in these stories have been created from composites of real people and places. Essentially, the stories are first-hand accounts of things that never happened. Tim O'Brien uses this fictional world to negate death, to emphasize meaningful events and character traits, and to enrich the stories with feelings as oppose to factual details.
O'Brien often presents the idea that through writing, characters exist eternally for all to see.
Curt Lemon, Kiowa, Norman Bowker—every one of O'Brien's fallen comrades is able to live on through his stories; their lives are "saved." Linda, O'Brien's deceased childhood sweetheart, explains in "The Lives of the Dead" that being dead is like being a library book and waiting to be checked out (245). People are preserved as they were in the past. O'Brien preserves himself as a child along with Linda, writing that "when I take a high leap into the dark and come down thirty years later, I realize it is as Tim trying to save Timmy's life with a story" (246). This represents a desire to return to the innocence of childhood: a time before war and death, loss and grief. O'Brien acknowledges the connection to childhood when he says "I'm forty-three years old, and a writer now, still dreaming Linda alive in exactly the same way" (245). Through his writing, he is able to keep Linda—along with himself—alive endlessly, thus negating
death. Each story in The Things They Carried contains fictional characters with real qualities, and fictional events with real morals. This strategy is used to emphasize the most important aspects of both. Linda, as the reader knows her, never existed; she is an amalgamation, based on an actual person—or possibly even multiple people (245). Through this process of carefully selecting the traits for each character, O'Brien is able to craft personas that emphasize the qualities necessary to communicate his point. "[Norman Bowker] did not freeze up or lose the Silver Star for valor. That part of the story is my own" (161). Although in reality this situation did not transpire with either man, it is presented as a real portrayal of a soldier's guilt for losing a comrade. O'Brien explicitly clarifies that "true" war stories like those in his book are not about fighting or violence. They're not even about which side wins.

"It's about sunlight. It's about the special way the dawn spreads out on a river when you know you must cross the river and march into the mountains and do things you are afraid to do. It's about love and memory. It's about sorrow" (85).

True war stories are about conveying actual feelings experienced by soldiers. They serve to put the reader in the shoes of a soldier and experience the subtleties of war from a first-hand point of view. For these reasons, sometimes the true war stories that never happened are more real than any actual Hollywood-style war story could ever be. Many readers will find themselves confused and frustrated after reading "Good Form," a chapter near the end of the book.
It is in this chapter that O'Brien reveals that the only aspect of the novel thus far that hasn't been fabricated is the fact that he did walk through Quang Ngai Province as a foot soldier. "Almost everything else is invented" (179). However, it must be understood that he is simply bending the truth in order to convey the most feeling and emotion. "I want you to feel what I felt" (178), O'Brien explains. Evidently, there are times when invented war stories communicate his feelings more clearly than anything actual could. For example, "The Man I Killed" is about a VC soldier killed with a grenade by O'Brien. He is overcome by guilt and regret, but later in the book he reveals that he did not kill the man at all. He was simply present at the time of the young man's death. "But my presence was guilt enough…I remember feeling the burden of responsibility and grief. I blamed myself" (178). He remembers feeling responsible and blaming himself, so he writes himself in as the one physically responsible for the death. It is much more powerful to tell the story this way; readers experience the guilt he felt even though he wasn't actually responsible. This is the sole purpose of O'Brien's style—to communicate feelings in the most effective and powerful way possible, without regard for
actuality. The fictional reality that exists in The Things They Carried, though potentially frustrating for readers, helps to convey O'Brien's sentiments clearly. He is able to amass traits from many different real people into one fictional character that highlights the qualities he wants to express. He can alter true events in order to communicate the way he was truly feeling at the time of Vietnam. These true war stories that never happened end up becoming more real and powerful than the actual happenings of war. O'Brien's other purpose in writing is to preserve the people and places he remembers. He can essentially deny death by making his characters live forever in writing—because, as Mitch Sanders says, "Death sucks" (243). Although Tim O'Brien's style of writing has been known to aggravate some readers, in the end it makes for a genuine, poignant novel—fiction or not.