The Salk Institute located in La Jolla California is of the most unusual nature. The building is set up into two large towers separated by a large concrete courtyard. The building is arranged in this way because one side of it faces the ocean and Salk wanted every scientist to have view of the ocean (Silence and Light, 1997). The floors of the towers alternated between floors used for lab work and floors used for studying. This separation promoted a boundary between labor and contemplation. The Vierendeels used to create a column-free transverse plan created "full-height loft spaces for pipe and ductwork" (Stoller, 6). These loft spaces were hidden behind large triangles on the ceiling and act as the servant to the labs and studies below. Every room was arranged in this manner creating an overall plan of "servant spaces atop spaces served" (Steele, 15). These servant spaces act like "the arteries, veins and nervous system giving life to the cerebral function of the laboratories and studios" (Stoller, 6). Another example of a servant space is in the way Kahn opened the base of the towers. The openness of the base floors serves as an arcade to the
Bibliography: Brawne, Michael . Kimbell Art Museum. London: Phaidon P, 1992. Louis Kahn [videorecording] : silence and light / produced and directed by Michael Blackwood. New York, NY : Michael Blackwood Productions in association with Saarländischer Rundfunk, c1997 Steele, James . Salk Institute. London: Phaidon P, 1993. 10-20. Stoller, Ezra . The Salk Institute. New York: Princeton Architectural P, 1999. 1-12.