The epigraph from Dante’s Inferno provides us with a glimpse of Dante’s journey through hell. In the passage provided, we observe Dante’s conversation with Montefeltro, a man who has been condemned to the eighth circle of hell, which is reserved for those who’ve committed treachery or freud. The epigraph sets the stage for a confession of the damned. Just like Montefeltro, Prufrock makes that assumption that the audience can relate to his pain.…
The poem by T.S. Eliot “The Love Song of J. Alfred Prufrock” is a dramatic monologue written in 1915. Close to the end of the poem Mr. Prufrock stated “It is impossible to say just what I mean” (104). This statement will be analyzed to discover the hidden connotation of this phrase and convey the speaker’s ultimate goal. The questions that will be answered are: What does Prufrock mean when stating “It is impossible to say just what I mean” (104)? Is this statement stated due to a lack of vocabulary, words cannot convey his actual emotions, or is he just unable to express his own emotions to the listener? Are there other underlying circumstances to cause Prufrock not to speak his mind? By the end these questions will be understood along with the true…
Alfred Prufrock is lonely. There is a difference between being lonely and alone, Mallard is a good examples of being alone because even though her husband “died” she still had a family. Unlike Mallard, J. Alfred Prufrock is an example of loneliness because it states in the poem how he stands in a room full of people, nobody is talking to him and no one even recognizes him. In the poem, Alfred Prufrock doesn’t want to be lonely anymore and instead be recognized. The author puts in repetition as a way to catch the reader’s attention, for example “In the room the women come and go talking of Michelangelo” (Eliot 13-14). This portrays how everybody is talking about all of the previous accomplishments Michelangelo made, this puts “pressure” over Prufrock to so something or make something so that people can start to recognize him and he can feel that there is a reason for his life. Prufrock is more dramatic than Mallard because Prufrock states that time is running out and that he wants to have a purpose for his life before he dies, unlike Mallard that only felt some freedom until they found that Mallard’s husband is still alive. Under those circumstances, a conclusion can be made that Mallard and Prufrock are similar due to the emotional feelings they have and how they want to change and be different, but not everything can go their…
Similarities of Gabriel Conroy and J. Alfred Prufrock Gabriel Conroy and J. Alfred Prufrock share similarities that are very much alike when it comes to their self confidence, they are always thinking of what other people will think of them. Gabriel Conroy in The Dead does not feel comfortable around women without thinking he’ll make a mistake or fail. Prufrock’s love song, he is concerned of what people will think of him and how he will not attract women. The similarities they share is social awkwardness, lack of self confidence and uncomfortable.…
In this poem lines bears an images of visual image. Cause this poems lines are describing about appeals to the sight of image. In literary terms the glossary of visual image is describing. If any poem bore a image of look at which is visual image. In literary terms it bear an image of sight. We know about five images. Such as visual, auditory, gustatory, olfactory and tectile. In this poems lines about appeals to the sight. In this poem, white throat and white teeth normally is a visual thing (???). The poet of this poem describing it clearly. The eyes of metallic grey hard or narrow it’s identified by looking. So, we tell the image of this poem is visual.…
startling simile, "Let us go then you and I/ When the evening is spread out…
Prufrock, throughout lines 26-30, not only delineates his insecurity but also his indecisiveness and fear of rejection. These few lines give readers a snapshot of what the poem consists of: Prufrock’s constant self-doubt, ambivalence and passivity. Furthermore, it reveals that he overanalyzes situations to the point where it is unhealthy. As a result of his negativity and lack of initiative, Prufrock sends the message that he is an unhappy and lonely man who yearns for love but cannot even bring himself to open up to a woman, let alone ask her this “overwhelming question”.…
Prufrock is in-love with a woman or being in-love about his experiences in life. In the first stanza, “Let us go then, you and I, When the evening is spread out against the sky”, Prufrock, wants us to believe that he is with a woman but the third line, Prufrock he talks someone that is sick. In addition, the stanza that I like is in line 26 - 29, “There will be time, there will be time…” this is the time for Prufrock to think and start meeting new people or new woman. He works hard for himself and but he doesn’t have family to leave all his things…
It is through the literary elements of Imagery, Allusion and Monologue that the characterization of Prufrock as a nervous and obsessively introspective man living a rather insignificant life is revealed.…
The epigraph at the beginning of the poem refers a narrator saying, probably a man to a woman, lets go out together into the night. Asking his/her partner to go with him on endless streets, he calls them “streets that follow like tedious arguments, meaning streets that never end. Through dirty streets and dark places.…
In the opposite vein, Eliot's Prufrock also has a prepared speech, a speech he agonizes over with great trepidation, saying, "Do I dare? and, Do I dare? / ...Do I dare / Disturb the universe?" Prufrock has so little confidence in his words that he comforts himself with the thought that there is time "for a hundred visions and revisions" before he must give his line. Up until the final moment before he would speak Prufrock's questions linger, asking in the last stanza of the first section, "And should I then presume? / And how…
"La Figlia Che Piange" (“young girl weeping”) is the final poem in T.S. Eliot’s Prufrock and Other Observations (1917). This short (24-line) poem describes a lovers' parting, but its speaker plays a curious dual role. He not only describes his lover and the feelings aroused by remembering her, but also directs her-- as he would an actress in a film, to borrow an analogy from Denis Donoghue:[1] the mood of the first stanza is not indicative but imperative, and the first five lines all begin with strong commands: Stand; Lean; Weave; Clasp; Fling. The man who gives these instructions is portrayed as one part embittered lover, one part fastidious aesthete:…
As I read the poem, I believed strongly that it was speaking of the 1920’s as a gilded age. There are many examples that led me to believe this. When Eliot spoke of the yellow fog I thought that was a great symbol of a gilded age. He said, “The yellow fog that rubs its back upon the window-panes…Let fall upon its back the soot that falls from chimneys…” I interpreted this to mean that the people in the house can see the yellow fog in their windows and enjoy it, yet this yellow fog catches all the “soot”, corruption, or evil that they are producing. However, eventually the corruption will catch up to them and their prosperities, symbolized by the yellow fog, will end. Another obvious example of this motif of a gilded age is, “Arms that are braceleted and white and bare (But in the lamplight, downed with light brown hair!)” The woman’s elegant arms are a symbol of the materialism, role of women, and importance of money and class during the 20’s. The fact that her arms look so perfect in passing but once examined, have imperfections, serves as a symbol of a gilded age. However, as the title suggests, this is a poem about love. Prufrock is struggling with his love for this women and he is clearly lacking confidence. He constantly reminds himself of his imperfections, particularly his thinning hair, and struggles with how he should proceed in gaining her affection. In the end, he realizes that he is no hero but he is sufficient and has good qualities. This poem is an example of modernism in its characterization of Prufrock. He was constantly questioning himself as an individual and in the end, Eliot wrote about nature to accentuate Prufrock’s characterization. When nature is spoken of, Prufrock is realizing his second-rate status. This displays the modernistic belief of confused sense of identity in the world. People were often unsure of their identity when they thought of all the great things in the world, such as all…
A superficial reading of this line may denote that Prufrock is never going to express his passion to a woman whose love he seeks. Prufrock's real problem is related to sex because "the peach, through shape and texture, has long…
It is in this way that Eliot creates a sense of doing, and a sense of being dragged through the evening, tied to the back of a great fatalistic carriage. 'Prufrock' revealed Eliot's original and highly developed style. I felt its startling jumps from rhetorical language to cliché, indirect literary references and its simultaneous humour and pessimism all combine to make this an excellent work for art. Prufrock's quest for a life he cannot live and a question he has difficulty confronting is intriguingly played out in various aspects of his humanity. He is quite a neurotic character.…