One main central idea from the article "The New Heros" is that no matter how old you are you can still make a very big difference in your community whether you're trying to change something huge or something small, and it doesn't matter the size of your project. In this article, the author talks about how Albina Ruiz was worried about her communities health and environmental status because of all the pollution from people throwing out their waste into the streets, rivers, and empty lots.…
The notorious drug war and wanton violence is taking over Mexico. The government and police seem to have no control over the situation as the drug cartels have the most power out of anyone in the country. However, there are a few who attempt to denounce the violence of the drug cartels that spreads across the country like a bloody wildfire through poetry, music, and painting. Javier Sicilia, a poet, denounces the drug violence that killed his son through his last poem and Marcos Castro painted a picture of the destruction of the Mexican culture and people, influenced by the lyrics from singer Lila Downs, who sang about death because of the drug trade in Mexico. Marcos Castro’s “La Reyna del Inframundo”, taken directly from Lila Downs’s lyrics, illustrates the control of violence over Mexico and its culture through the contrast between light and dark, referencing the battle between destruction and hope, shape, the spiral in the middle of the painting suggests a tornado of extermination, and scale and position of objects, namely the gun which exemplifies the emphasis on violence and death.…
Based on Ralph Strauch in his book The Reality Illusion, some languages are structured around quite different basic word, such as categories and relationships. As a result, they project very different pictures of the basic nature of reality. For instance, the language of the Nootka Indians in the Pacific Northwest, has only one principle word-category which it denotes events or happening. Then, the Nootka perceive the world as a stream of transient events, rather than as the collection of less or more permanent objects which we see. Nobel Prize the winning physicist Werner Heisenberg said that things we are observing is not nature itself, but it is actually the nature exposed to our method of questioning. Language is the things that we depend…
Out of the three poems, the first two hardly had but one or two symbols throughout. They were so short, that they hardly had enough time to get but a small message across to the reader, or atleast that 's how I saw it. However, Alberto Rios 's "Mi Abuelo" had many images which made my brain tingle with excitement for writing this paper. Besides the fact that it had the most imagery, it also was the most interesting and best imagery in my opinion.…
Part of Joan Didion's truthfulness is in dealing with her own avoidance of grief, and the extent to which an extremely intelligent, ever-thinking person will go to escape facing pain. But halfway through this short book, only 105 pages from the end, I almost gave it up, and I'm not sure I'm glad that I didn't. The endless facts, medical explanations, and most of all, Joan's continuous detachment from any emotion, left me feeling beat up and worn down. Yes, it even annoyed me a little. I give her all the credit in the world for approaching her task. Her love for her husband and daughter is extraordinarily apparent by the picture she paints of them, but she still comes through as only an observer. "The Year of Magical Thinking" is written in…
A persons emotions and thoughts, is what makes one strong and hearty, but what happens when one cannot express their feelings and emotions properly? In the internationally acclaimed novel, “The apprenticeship of Duddy Kravitz”, by Mordecai Richler, the lead character, Duddy Kravitz, is challenged to overcome the same obstacle. Duddy, is a young Jewish boy on the quest to become somebody. Along the way he encounters many challenges that get the best of his emotions. For instance, when sick uncle Benjy apologizes to Duddy for not treating him right all his life, Duddy not knowing how to react and show what he’s really feeling, storms out of the room. As uncle Benjy watches Duddy run to his car, he states “run, run, always running, he can’t even walk to his car” ( pg 249,P#4). This is an excellent example of Duddy’s fear of revealing his emotions, because when Benjy apologizes to Duddy about treating him like dirt, Duddy didn’t know any other way to express his anger and sorrow with his ill uncle, and he decides to run out of the room, instead of dealing with the situation. Another example of when Duddy hesitates about sharing his emotions was when Linda and Irwin fooled him into staking all his hard earned money into gambling, and he lost it all. When Duddy’s broke, his emotions are on a roller coaster ride, as he’s overwhelmed, shocked and feeling dumb for falling for Irwins trap, all at once. Feeling betrayed inside, he screams to Linda “Aw, go to hell, just go to hell please” (pg. 86, Prg#7), then “he gave the wheel a shove, knocking it over, and rushed outside”(pg. 86,Prg#7). This particular situation also proves that Duddy’s certainly afraid of sharing his feelings with others because when Duddy loses all his money, he didn’t know any other way to handle the situation, or show his anger and frustration, other than running away. He runs away from how angry he was he had lost all his money, he runs away from how guilty he…
In Paulo Coelho’s The Alchemist, a boy named Santiago goes on a journey to follow his Personal Legend. Someone’s Personal Legend exists as something they have wanted to accomplish from birth. However, a “mysterious force” convinces people that they cannot realize their Personal Legend. People like Santiago have the ability to overcome this force and therefore can rediscover their Personal Legend. However, fear can hinder people from reaching their Personal Legend, which Coelho demonstrates through the craft elements of dialogue and mood.…
Addonizio also imports excellent examples of tactile as well as visual imagery to demonstrate to the reader her aspect on relationships. Visual imagery is represented when Addonizio describes each individual tattoo. “The blue / swirls of water on your shoulder where a serpent / twists, facing a dragon (5-7).” The dragon and the serpent represent the warrior in the speaker’s partner. They also signify that the partner has no fear against his enemies. Inclusion of the specific details of each tattoo shows the reader exactly how much that the speaker is honed in on her partner’s tattoos. This allows the reader to see the speaker softly tracing her fingers across her lover’s marked shoulder.…
“In his pursuit of the dream, he was being constantly subjected to tests of his persistence and courage. So he could not be hasty, nor impatient. If he pushed forward impulsively, he would fail to see the signs and omens left by God along his path.” The Alchemist by Paulo Coehlo explains that everyone has a Personal Legend and if you do not follow your dreams you will never discover it. In order to find one's Personal Legend one must follow the omens and the Language of the World. To learn this language you must listen to everything around you, including nature. One's Personal Legend is know at a young age but then forgotten as time goes on. If one truly wants to find one's Personal Legend then the universe will help you along your path, leaving…
Photography is described as a gateway to staring, as it authorizes it. Visuals of the disabled allow people to elicit different emotions and act in certain ways. To prove this, Thompson writes about four primary visual rhetorics, which are wondrous, sentimental, exotic, and realistic. Though each are quite self explanatory, each of them contribute to different ideas and thoughts. The rhetoric of wonder for example, introduces not the ordinary, but the extraordinary. People are in essence intrigued or amazed by such pictures. A sentimental rhetoric conjures up feelings of sympathy for the viewers, doing the opposite of a wondrous rhetoric. In contrast, the exotic rhetoric displays the disabled as alien, incorrect, and amusing. It touches upon satire whilst emphasizing the impairment for commercial purposes. Lastly, the realistic rhetoric has the effect of evading distinction and looks at the normal aspects of disabilities. It embraces the disabilities in such a way that it moderates its unfamiliarity to the public.…
In history, we are given continuous documents that consist of only facts. Facts are pleasant, but facts cover only general ideas that are given. History texts completely ignore and are too blind to seek/include what is behind the facts, the emotions of those who have lived/experienced those specific events. Not only that, but by only allowing people to understand one side of a story logically or emotionally is bias and creates a single story. Creating a single story would be unbalancing because it allows people to only understand things through one perspective, and the importance of perspective is very vital. By including more than just the facts [emotions] will allow readers to have a better understanding of the significance of how emotions can impact and change an entire logos based document.…
if someone’s eyes are dead, or if their voice is dead, they feel or show no emotion…
Being in a hospital, you see many healthcare professionals doing what they can to keep their patients comfortable, at ease, and advice them with their current illnesses or treatment. Helping others in need is another goal of mine while pursuing a career in the medical field. The patients that come in and out of the hospital aren’t ordinary people, they are someone's loved one, a family member, or significant friend. When they come seeking treatment, they are expecting to treated with care. Paulo Coelho, author of The Alchemist once said,“When we love, we always strive to become better than we are. When we strive to become better than we are, everything around us becomes better, too.” How I see it, you must treat a patient as if you are treating…
“The inheritance of most of our expressive actions explains the fact that those born blind display them, as I hear from the Rev. R. H. Blair, equally well with those gifted with eyesight. We can thus also understand the fact that the young and the old of widely different races, both with man and animals, express the same state of mind by the same movements.”…
While much nonverbal communication is based on arbitrary symbols, which differ from culture to culture, a large proportion is also to some extent iconic and may be universally understood. Paul Ekman's influential 1960s studies of facial expression determined that expressions of anger, disgust, fear, joy, sadness and surprise are universal. Proxemics: physical space in communication…