Memi And Sabu Comparison

The Compare and Contrast of Two Statues Upon first glance of the two statues, “The Royal Acquaintances Memi and Sabu” and “The Statue of Gudea,” their similarities and differences may not be quite apparent to the eye of an observer. However, when taking a closer look into the style of the pieces, as well as into the finer details and, in these examples specifically, the body positioning, we can delve into a deeper understanding of what the artists intended for us to see and feel from their creations. One main similarity I find between the two statues is the distinct use of sharp lines and patterns. In the statue of Memi and Sabu, the subjects' hair is perfectly patterned to show texture, and Memi's wrap is lined to show draping detail. On the Statue of Gudea, the king's headdress also has a precise geometric pattern and clean linear details places on his clothing.
Memi and Sabu are given figures that are closely accurate to the human body. Their clothes are minimal and simple, and both subjects are without any designs or embellishments to their clothing or head. These things make them relatable to normal, working people and do not indicate that they are in a higher power above society. On the Statue of Gudea, however, we see that he is wearing a fancy headpiece that can be a representation of status. His robe is covered in inscription of the “various temples he built in Lagash,” (The Met, 2000) boasting his successes as a ruler. He is sitting, as if on a throne, and the form of his body cannot fully be made out. This makes him seem a bit unapproachable, which leads even more to the fact that he was a powerful being. Both statues are creative and can be appreciated in their own unique ways. When we look into the details of the various choices of the artists, we are better able to get a sense of what each sculptor intended to