Franz Kafka’s “The Metamorphosis” is a nightmarish tale with a very straightforward, matter-of-fact style, and this style enhances its nightmarish quality. An example of this is found in paragraph, which states, “His many legs, pitifully thin when compared with the size of the rest of him, waved about helplessly as he looked.” When describing this scene, the narrator definitely uses illustrative words, but does not have the disgusted tone one would expect from a story like this. The narrator speaks in an emptier way, which helps magnify the eerie feeling of the work. Both it and Gregor act very removed from the events, not how a normal human would react. Another instance of this is, “So then he tried to get the top part of his body out of bed…
In the Metamorphosis,Gregor must work to support his family after they lost the company and lost all their money. One morning he wakes up and discovers he is a vermin. The first thing that occurs to him when he discovers this is how will he get to work and that his boss will come to his house and demand that Gregor come to work, meanwhile Gregor is locked in his room unable to get out of bed because he is a bug. Finally he is able to get out of bed, but the boss is gone the time he gets up. His family sees him and is disgusted and shocked by his transformatio. His sister brings him food and cares for him like no one in his family ever has, but even she becomes disgusted with him after a while. They all ignore Gregor. At one point Gregor is…
In Part I of Metamorphosis, Kafka ends the part by illustrating the rejection of Gregor by emphasizing that even before his transformation in an insect; a situation which forces him to hid away from others, Gregor has always been isolated from others. Due to his job as a traveling salesman, Gregor is unable to make any friends or stay close to anyone at all for that matter, turning him into a very reclusive person (though Kafka never states is Gregor has always been this way or if is simply the job that caused this). When we come to the end of Part I, Gregor is also in extreme anxiety due to the fact that he was supporting his family and is now unable to work. This effect Gregor so much that even after he has transformed into a bug, he is still trying to find ways to be able to work. This conflict causes Gregor to feel trapped, like a bug locked in a room, hidden away under the settee.…
In “The Metamorphosis” by Franz Kafka, the style enhances the nightmarish quality of the work. The text states, “It took just as much effort to get back to where he had been earlier, but when he lay there sighing, and was once more watching his legs as they struggled against each other even harder than before, it that was possible, he could think of no way of bringing peace and order to this chaos,” (Kafka 12). This is interesting because the situation that Gregor is in is extremely scary and unusual, and the calm language used makes the event seem like a normal occurrence. Although one would think that Kafka would use chilling and disturbing language to describe these events, that is not what he did. The emotionless tone of the story confuses…
In “The Metamorphosis” By Franz Kafka, the style enhances the nightmarish quality of the work in many ways. This quote from line 304-306 can be used to illustrate this when Gregor says, “I’ll open up immediately, just a moment. I’m slightly unwell, an attack of dizziness. I haven’t been able to get up.” These lines from the text show that Kafka describes this nightmare in a simple style. Gregor has completely transformed from a human into a vermin yet he treats the situation as if it could happen to anyone, and he still attempts to complete his normal responsibilities. Gregor thinks his transformation is simply a cold, and Kafka describes it very blankly, leaving it open to interpretation by the reader which in turn shows how horrifying the…
Kafka shows how humans will adapt to fit their roles in society without any complaints, which was also shown in the Stanford Prison Experiment. Kafka shows this by having his characters fit into roles that they were assigned by physical features. In “the Metamorphosis,” Gregor is turned into a bug, and his transformation slowly begins to affect more than just his physical appearance. Within the story, we can see Gregor begin to change first with his acquired tastes for rotten food (26.8-27.4) to his newfound interest in crawling around all over the room (32.8). Kafka does a similar role fulfilling in the story “In the Penal Colony” with the condemned man. In this story, the condemned man is chained up like an animal and is even described as…
The nightmarish quality of “The Metamorphosis,” by Franz Kafka, is enhanced by the straight forward -almost academic- nature of the writing. One such example of this occurs on page 93, reading, ““What’s happened to me?” [Gregor] thought. It wasn’t a dream. His room, a proper human room, although a little too small, lay peacefully between its four familiar walls.”(Kafka) From thereon, he abandons the description of his transformation to describe the room and previous night. As the audience reads this, they are thrown by the sudden shift of topic, still wondering what has happened. The fact that most works put an emphasis on the “why?” makes the reader expect an answer, developing their panic as it becomes less and less likely that there will…
As with any great literary work, there must be a purpose behind the story. Kafka’s short story was written for a few main reasons. He wanted to exemplify the absurdity of life, show that there is often a disconnect between the mind and body, and that there are limits to society’s affection for its servants. I found that all points appeared to be both relevant and accurate while maintaining the fantastical appeal of the strangeness of Gregor’s sudden transformation. I believe this contributes to why “The Metamorphosis” has made a lasting impact across the globe.…
In the novel, Gregor’s father shows considerable hostility towards him. Kafka’s own father was domineering and severe and thoroughly disappointed by his son’s thoughtful temperament, feeble form, and literary interests. His youth was hard which may have contributed to his development of an existentialist point of view. Kafka portrays this less than loving parent Gregor’s father. When Gregor emerges from his bedroom and his father comes home from work Gregor notices how sharp he looks and speaks of his father’s sternness, “he knew full well, right from the first day of his new life, that his father thought it necessary to always be extremely strict with him. (Kafka 32) Gregor must come to acceptance of even this less than loving treatment from his father.…
He is often worried how his family would take him in his hideous state, he often wondered, would they accept him? “They were cleaning out his room, taking away from him everything he cherished; they had already dragged out the chest of drawers in which the fret saw and other tools were kept, and they were now loosening the writing desk which was fixed tight to the floor, the desk on which he, as a business student, a school student, indeed even as an elementary school student, had written out his assignments… He squatted on his picture and did not hand it over.” (Kafka 57, 58) As a result, even though he knows he would feel more physically comfortable if his room were emptied of furniture, allowing him to crawl anywhere he pleased, Gregor panics when Grete and his mother are taking out the furniture, such as the writing desk he remembers doing all his assignments at as a boy. In a desperate attempt to hold onto the few reminders he has of his humanity, he clings to the picture of the woman muffled in fur so that no one will take it away.…
In conclusion, Kafka used many symbols to help develop is story such as the woman in the picture who provided Gregor with a sense of humanity and the furniture which was stripped from him and denying him his human aspects. Also, the apple which brought Gregor closer to his family but as it rotted so did their relationship. Finally, his door is Gregors way of isolating himself from his family in the beginning but soon becomes the Samsa's way of keeping what they used to know as Gregor…
In the “Kafka’s fantasy of punishment”, Author Kaiser reveals and scrutinizes more insightfully the significant meaning of the metamorphosis of Gregor Samsa. In Kaiser’s point of view, Gregor’s transformation is a “self-punishment for his earlier competitive striving aimed against his father.” His unintentional emotions toward his father are beyond hatred, which is interpreted by Kaiser as an oedipal jealousy intended for the mother. However, that is not the manifest struggle between the son and father. It is Gregor’s bold ambition costs him to suffer. Before his catastrophic metamorphosis, the son takes up the position as head of the family as a result of business failure of his father. He begins to work assiduously to sustain the whole family;…
The last paragraph of Kafka’s reading metamorphosis discreetly suggests that the family’s emotions aren’t as they read, but they will travel to the edge to find a successful prospect to lead for the future. The opening sentence reads “then the three of them altogether left the flat,” pg. 241 this section of the sentence has a deeper meaning than the Samsa’s just taking off from their home and going to the park as the sentence follows up . As I read this opening sentence the word “flat” stands out to me. Flat stands out in sentence because it is used in a very untraditional way that makes me believe it has another meaning besides the description of the flat land they are on. When defining the word flat I think of a smooth, even surface without any lumps or indentations. When defining flat in an emotional context, I would define it as a lacking of interest or emotion, perhaps dull and lifeless. The context of “flat” in this first sentence of the last paragraph I would say speaks to Gregory family’s emotions after him not being present. I envision an insect or a cockroach, I always see them crawling up a wall perhaps a flat surface. Which becomes ironic to this situation as Gregor is an insect and has struggle being mobile on the flat surface which they refer to as home. In this opening sentence flat may speak of the family's emotions not just a state of the land. This word…
Gregor's transformation absurdly exaggerates his shape, voice, and senses to exemplify how his physical mutation into a vermin and inarticulate struggles represent his alienation from society. "When Gregor Samsa woke up, [...] he found himself changed in his bed into a monstrous vermin" (Kafka 2). Because Gregor perceives himself of having the lowest form of life, it becomes appropriate for him to transform into a mammoth insect, instead of any other animal. Gregor's "painful and uncontrollable squeaking mixed in with the words could be made out at first but then there was a sort of echo which made them unclear, leaving the hearer unsure whether he had heard properly or not" (Kafka 4). His inability to communicate with the family does not allow him to express any of his own personal needs and thus leaving him to fail in living his own life. Gregor "perceived things with less clarity, even those a short distance away: the hospital across the street [...]was not visible anymore" (Kafka 21). His range of vision literally becomes smaller and his new and more suitable state as an insect allows his one track minded nature of only perceiving what is necessary for his family more appropriate. Although Gregor's human form represents the norm, his selfless mentality and meaningless existence isolates him physically from society.…
Throughout the novel Kafka constantly utilizes depressing language that emphasizes the hopelessness of Gregor’s situation. From the very start, Gregor describes his unappealing (and helpless) physical state as a bug and contrasts it with a pretty picture of a lady with lots of fur next to him. “What has happened to me? He thought. It was no dream” (106). By acknowledging that it is really not a dream, Gregor comes to accept his dire circumstance and seals his own fate with the profound realization of his situation. Kafka’s utilization of Gregor’s point of view in such…