Modern architecture is new ideologies of architectural that show up in many Western countries in the decade after industrial revolution I. It was based on the rational use of modern materials, the principles of functionalist planning, and the reject of what it is exists and miscellaneous decoration. This style has been generally designated as modern, although the labels International style and functionalism have also been used.…
The European Colonial period lasted from the 16th century to the early 20th century; European powers such as France and England established colonies throughout the American homeland, and in other geographical locations such as Asia and Africa. Since, these European settlers were the ones who founded our globally recognized cities today, obviously, they had a tremendous influence on the architectural design. The most populated newfound American cities such as Boston, Philadelphia, and New York’s derivation were architecturally focused on human welfare and economics. The baseline of each of these modern-day economic powerhouse cities today originated from the genius and innovative ideals of the European settlers…
Paul, Goldberger. "ARCHITECTURE VIEW; The City That Was And the City That Is Now." New York Times 18 Aug. 1991: 30. Academic Search Complete. Web. 2 Dec. 2012.…
Deciding whether to breastfeed or provide formula milk is a major decision amongst new mothers. As simple as it may seem, the decision to breastfeed versus formula feed babies can be difficult and one of the most important decisions a mother can make. While there is nothing wrong with giving babies formula milk, breastfeeding should be the number one choice for mothers. As breast milk provides more nutrients, is naturally produced by mothers and is less expensive, breastfeeding is more beneficial than formula milk.…
Utopia suggested that architectural designs should be able to communicate thus it can be applied in developing meaningful architectural designs. One of the main roles of utopia is to spark imagination in the social context. On the other hand, modern architectural designs must be able to take advantage of imagination and technology to develop exemplary designs. In a town setting, buildings must have an arrangement that can create a message in the social space. The setting of such structures should be able to create an impression of what people of a certain area think. It is technically a social manifestation through a physical appearance in space. This is one ideology of utopia that did not find a place in the past. However, modern day’s planners and architects tend to come up with communicative designs of buildings and roads. One can brand the modern day architects as decorators but truly, it is a manifestation of utopia in the modern architectural designing. Utopia puts in more emphasis on patterns and arrangement that will match with the social sphere of a particular region.…
In a world requiring 150% its own volume to endure the current industrialized processes, adding more physical matter of any sort to the equation seems counter intuitive. As the fiscal systems often state, you can’t solve debt with more debt; as such can you really solve problems of the built environment with even more built environment? It’s time for the architect to use the existing fabric, to become skilled in the removal of the physical, in the actual sculpting of space and not the double negative notion of sculpting space as an additive process. The architect is to ultimately become versed in the manipulation of what is available; an analytical poet. Into what is removed then, can be placed built sustenance; systems of materials that breathe life into the old, that address energy and technology; a retro surgery of an ecological nature. Take Mies’ Brick Country Villa, inspired by the paintings of Piet Mondriaan, a leading figure in the de Stijl movement and central influence of the Bauhaus. It can be read as much as the dissolution of a more complicated plan as it can be read a minimal insertion of verticals and horizontals, which was his aim. Take Frank Lloyd Wright’s Taliesin West (1937), which appears to be abstractly inspired by the paintings of Wassily Kandinsky, a core member of the Bauhaus (1922 – 1933). Although they display an obvious evolution beyond the abstract simplicity of sole verticals and…
Ever since I was told when I was a young little league baseball player that my great-great uncle was one of the architects that worked on the Houston Astrodome, I have taken a liking to architecture and building designs. Growing up I visited Montreal and marveled at Olympic Stadium and the majestic buildings of Old Montreal. I remember trips to Chicago and was left breathless at the view of the Chicago city-scape high atop the Sears Tower, which was the tallest building in the world at the time. I enjoyed trips through my hometown of Detroit and admiring all of the well-designed buildings old and new. All of these buildings started with an idea and a great design. Frank Lloyd Wright is one of the greatest architects of the modern era, with his stunning designs placed across the globe; he is an example of futuristic designs and an inspiration to today’s modern architects. In this paper, I will examine the impact Wright has had on modern architecture and will attempt to answer the question; what will his impact be one-hundred years from now?…
Chamberlin, Powel and Bon had very little experience being architects, after giving up teaching at Kingston University, they formed a partnership to tackle the challenge of the Barbican project. Between 1954 and 1968 Chamberlin, Powel and Bon (CP & B) created four finished plans which was later modified to a further fifth plan. However with the complexity of the scheme seven official plans were drawn up over this time. With each plan being more complex then the previous, the London vision was at their palm. Chamberlin, Powell and Bon had many visions and ideas towards the reconstruction and redevelopment of the rubble pile caused by the Blitz. By 1953 a proposal for the redevelopment was made, with the increase of lives being claimed by chocking on smog it had been proposed that the City should become a residential district and potentially house the professional classes. In 1959 Chamberlin Powell and Bon (CP&B) decided that the first plans for the Barbican were ready to be submitted, for a residential tower block which till today remain the tallest in Europe. Nearly all main principles of modernism can be found at the Barbican spanning from open-plan flats, the idea of general provision for car ownership and importantly open spaces for pedestrianization…
Modernism vs Neo-Traditionalism: A debate on the merits and failures of two major competing paradigms in architecture and urban planning.…
Architecture has undergone a rapid and revolutionary transformation in the modern era. Through the work of Ludwig Mies van der Rohe, this essay attempts to chart the transition in architecture from nineteenth century Romanticism and Neoclassicism to High Modernism. Mies van der Rohe redefined architectural boundaries and emphasised the beauty of simple forms, the importance of functionality and the versatility of new materials such as glass, steel and marble. An analysis of the work of Philip Johnson reveals the development from High Modernism to Postmodernism, where playful and ironic decoration and humanist theories were reintroduced into what had become a ‘cold’ Modernist aesthetic. Both architects challenged and reorientated the direction of twentieth century architecture.† Ludwig Mies van der Rohe and Philip Johnson were seminal to the development of architecture in the twentieth century. Mies van der Rohe dramatically altered architectural boundaries by transforming the design of buildings from the ornate and decorative historicism of the nineteenth century, to the sleek and geometric shapes and styles characteristic of Modernist architecture. He designed innovative structures, such as the skyscraper, with an emphasis on functionality and simplicity of materials. Johnson’s theories and exhibitions introduced the International Style to America and his buildings expanded and challenged Modernist tenets, reintroducing Classical and humorous motifs. Mies van der Rohe produced austere and elegant spaces and constructions, whereas Johnson created new Postmodern possibilities and reinvigorated High Modernism. He did this by…
The first way is by divorcing the practice of building from the history and traditional meanings of buildings. The second is known as the promoting a species of urbanism that destroyed age-old social arrangements and with them, urban life as a general proposition. The third is by creating a physical setting for man that failed to respect the limits of scale, growth, and the consumption of natural resources, or to respect the lives of other living things. Kunstler characterizes the utopian-socialist ideas of the Bauhaus architects, who would eventually have a great impact on America. They had romanticized the machine and embraced the growing mechanization of life as a wonderful development. He also mentions Le Corbusier in this regard and his belief that “the house is a machine for living.” These architects fled to America when Hitler came to power because they were anti-Hitler. They both became part of the cultural establishment of America. They were in a period of considerable industrial and residential development after World War II, these architects and their “vision” had an inordinate influence. Philip Johnson is mentioned as a discipline of one of the architects that was connected with what was called “The International Style.” It made a revealing admission in an 1989 interview.…
The late nineteenth century saw the rise of the modern city shaped by industry, innovations in transportation, and shifting politics. During this period and throughout the early twentieth century, the urban experience became an important artistic subject.…
Research Paper The history of the urban utopia arose when theorists and city planners decided that a radical reconstruction of their cities (Venturi 4) was needed. There are problems that arose in cities of every generation and these problems have sparked the minds of the greatest thinkers, planner, architects, and theorists of the 19th century. These were the first attempts at correcting the problems that we deal with today. Problems such as dealing with growth, dealing with nature, and dealing with civilization. Throughout the history of the city, it seems as though some of these basic principles have been forgotten. However, we can look towards the work of Ebenezer Howard, Frank Lloyd Wright, and Le Corbusier, who were some of the most dominant architectural thinkers who advanced the field of urban-conceptual thought into places it had never been before. The radical thinker, known as Sir Ebenezer Howard, is widely regarded by many to be one of the most influential urban planners of the 19th century. His work with the English Garden City Movement led to a worldwide response about how cities will deal with a rapid increase of people. His goal was to provide comfortable cities, which had an abundance of affordable housing; arranged in ways that would incorporate nature to its fullest. His work, unlike that of Robert Moses (another influential urban planner), Frank Lloyd Wright, or Le Corbusier,…
POSTMODERNITY IN ARCHITECTURE IS SAID TO BE HERALDED BY THE RETURN OF “WIT, ORNAMENT AND REFERANCE” TO THE ARCHITECTYRE IN RESPONCSE TO THE FORMULATION OF INTERNATIONAL STYLE OF MODERNISM.…
During the postmodernist era there was great emphasis on the movement of philosophy and social science as well as new influential styles of architecture, design and fashion. It was the development of the modernist era, which in the late 1950’s received criticism for being standardized and no longer suiting peoples lifestyles. The Machine age was not suited to the affluent and creative people of this age and because of this postmodernism was created. (___) In this essay I am going to explore how postmodernist values, art movements and architecture construct the identities and subcultures created within this era. Initially I will be looking at two authors Dick Hebdige and David Muggleton and then support this with examples of subcultures of the period and following the subculture as if filters through to becoming mainstream.…