Dear Students,
The purpose of this course is to encourage students to gain an awareness of, and insight into, the evolution of modern English literature. Students will become acquainted with writers, poets and playwrights such as Thomas Hardy, William Somerset Maugham, Oscar Wilde, George Bernard Shaw, Virginia Woolf, George Orwell, Henry Williamson, John Betjeman, Ted Hughes, Charles Causley, Samuel Beckett, Laurie Lee, Agatha Christie and John Le Carré. Connexions with socio-political factors will also be explored. The course takes the form of lectures, to which students may contribute their research. Evaluation is by written unseen examination, in the form of short essays.
The lectures form but the tip of the iceberg, providing you with a door to your own research and study. You are encouraged to share the results of your studies, helping not only your fellow students, but me. We are, after all, in the same boat, even if I am at the helm. I do not so much teach, as try to help you to learn. I shall provide some examples of examination questions at the end of this hopefully helpful guide.
English literature is a huge field, and I can obviously only try to open a few windows for you, or at least loosen the locks, with apologies to the many superb writers who have been omitted. You will hopefully have had a grounding, by attending my other course. If you have not, talk to other students. So here we go!
We kick off with two superb dramatists and writers, Oscar Wilde (1854-1900) and George Bernard Shaw (1856-1950). Wilde was quintessentially Irish in wit, humour, verbal prowess, blood, and origin, yet, having studied at Trinity College Dublin and then Oxford, was very ‘English’ in a pleasantly louche, supercilious and upperclassish way. In contrast, Shaw was an Anglo-Irish Protestant, morally, socially and politically conscious, even being a founder member of the Fabian Society. He was also