They indulge in blood, and ritual. Only ever able to
They indulge in blood, and ritual. Only ever able to
Jan Perkowski created a ten-part analysis outline to be used for analyzing different characteristics and functions of vampires that appear in film, television, and literature. This outline can be used to analyze the film The Lost Boys, and how the vampires in the film function as a metaphor for drug use, American nationalism, and a broken family structure, all of which were common in the 1980’s.…
Cited: Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears. Oxford: Oxford UP,…
Preface: The dissonance between the film (Bram Stoker’s Dracula 1992) and the novel (Dracula, Prince of Many faces: His life and times) was absolutely astounding. I never expected the novel to take such a historical and authentic digression. Uncovering the man from the myth, the truth from the tale and to vastly and inimically ruin the revered image I believed of Dracula to have.…
Vampire stories have been popular for years. One such vampire is Dracula of Bram Stoker’s novel. Dracula drives the plot in many ways, but he is not always the nice guy. Not everyone like him; in fact most are scared of him. Dracula is dynamic, but the antagonist for several reasons. Dracula is evil, scares everyone, and he kills a lot of people.…
Though I am not an avid fan of the Twilight series, I felt compelled to distinguish the differences between the vampires in each film. I must admit that I have read all five of the Stephanie Meyer novels (only partial of the 5th installment) in the series, and of course, Bram Stoker’s Dracula. Though the novels are separated by a century wide gap, the traditional aspect of the vampire remains nearly the same. Special characteristics of each according to the novels, however, differ greatly.…
In Bram Stoker's novel, Dracula is depicted as the definition of evil. Throughout the novel, there is no doubt about his nefarious intentions and murderous pastimes as he proclaims, “My revenge has just begun! I spread it over centuries and time is on my side “ (Brams 339, ch 22). Thus it is apparent in the novel that Dracula is evil. Brams made his definition of evil quite clear through Dracula’s sexualized, violent, and sacrilegious actions. Evil was elucidated as an overtly sexually driven being, who is fueled by violence, and does not follow God. To Stoker, this was a definite ideal of evil befitting of his time, so then, why are will still obsessed with Dracula today, why has this tale in particular persevered? Again, the clear declaration of Dracula as an antagonistic murderer still fulfills humanity's desire for a definitive ideal of good and evil, over time that ideal has not faded into the background. We as human beings have gravitated towards such a clear-cut definition of evil, and rarely have we come across one so obvious as Dracula’s tale. We yearn for a separate ideal of good like that of Jonathan Harker to defeat the looming threat of evil of Dracula. Thus, we are drawn to Dracula because of how clear-cut the lines between good and evil are in the novel and how we yearn for our reality to parallel this black and white…
Katie Alender was born and in South Florida in the late 1970s. She is the third of four children, three girls and one boy, and is the child Katie is a graduate of the Florida State University Film School and is currently living in Los Angeles where she works as a producer and writer. She is the third of four children (three girls and a boy) and the child of three very loving and encouraging parents. The author enjoys writing, reading, sewing (especially quilts), practicing yoga, photography, visiting friends’ blogs, eating delicious high-calorie foods, and hanging out with her husband, Chris, and her spoiled rotten Cavalier King Charles spaniel, Winston. When she’s not novels or producing television shows, she is usually found in her sewing room, making things for her friends, her dog, or even her friends’ dogs! Katie Alender has written three books, ‘Bad Girls Don’t Die’, ‘From Bad to Cursed’, and her most recent novel, ‘As Dead as it Gets’. The title ‘Bad Girls Don’t Die’ was influenced by the song ‘Big Girls Don’t Cry’, which was popular in the 1960s. Katie wrote down ‘Bad Girls Don’t Die’ as a joke, but ironic enough, everybody at the publisher loved it.…
This revolting image of Dracula is entirely absent in the film. By contrast, Bram Stoker’s Dracula is refined and enthralling. He has evolved from a monster of sorts to an enigmatic seducer, from a coldhearted “beast” of incontestable evil to a multifaceted human arousing a strange compassion and blurring the lines between monster and man. He is now an attractive and sophisticated aristocrat who moves about effortlessly society and whose only impetus is in the search for his beloved revitalized as Mina Harker.…
Since the eighteen century, vampire stories have played a strong role of popularity in literature and cinematic environments. The continuous changes of vampires have taken the vampire legend from something feared to something desired. Between Dracula and Twilight it has been over a hundred years. These two novels are a great example of vampire’s evolution. However, both novels have elements of narrative device, they are both written from multiple perspectives, and both were turned into a film. Although Twilight and Dracula are pieces of literature that share a vampire story, there are three important differences that characterize each one.…
The legendary novel Dracula is gothic, bloody and oozing with sexuality. Bram Stoker 's vampiric plot reflects his ideology and experience and Dracula received a lot of attention from critics who showed various complex interpretations. During this course we have looked at critical essays that looked in depth at different scenes in Dracula and we drew different images from critics ' interpretations, which were built on their understanding of these scenes. Most of these critics, like Senf and Wicke, would argue within a small-scale circumference of sexuality, emphasized in the sexual desire of the Count to vamp women, or in how the innocent women are involved in sexual scenes after being seduced by Count Dracula 's…
Ever since Georges Melies wrote and directed the two minute film called Le Manoir Du Diable, the film scene has been all about horror, even today. Horror films were created when trying to figure out someone’s fears and nightmares. America was a large part of the upcoming horror films in history. “America was home to the first Frankenstein and Jekyll and Hyde movie adaptations, the most influential horror films through the 1920s400 came from Germany's Expressionist movement, with films like The Cabinet of Dr. Caligari and Nosferatu influencing the next generation of American cinema.”(Harris, Mark H) Soon in the 1930’s some famous classic horror films came out, such as, the Hunchback of Notre Dame and The Phantom of the Opera. By the 1970’s most of the horror films were made for scares and not so much a plot for the story.…
It remains unknown how much exactly did Bram Stoker know about the traditional image of vampires when he was lingering in Whitby in the year 1890. It is certain, however, that it is there where an inspiration for Dracula “bit his neck” for the first time leaving a legacy of a horror-love novel capable of freezing readers’ blood until this day.…
Vampire legends are interesting to study in the modern world and people are surprised worldwide in getting to know more about the vampire culture and legends. People worldwide have heard stories of a night being that does not die at all and survives only on the blood of human beings. Many cultures have their way of describing and portraying their vampires into the society. They also have their way of using vampire lore to incorporate it into their society and make it survive over a long time. Vampire fictions themselves majorly concern with the subject of the vampires who depend on the living creatures for them to survive. Traditionally, vampire stories were not only villainous, but also horrific. Modern understandings habitually reimage the…
Horror and thriller are a long standing favorite media type of our kind. A good scare that lingers in our minds sticks with us in ways other genres do not. The interest can span through movies and novels which both deliver results in different ways. Horrors and thrillers also affect our bodies while watching, though also differently. The reasons of why we like to be scared continue to be studied, but a few theories have emerged that are all partially accepted. Horrors and thrillers stimulate both our bodies and minds because they remain a mystery as to why we like them, they have helped us evolve, and they demand our attention.…
The word “monster” can mean many things to different people. In general a monster is someone or something that terrifies a person. Some might think of monsters as imaginary or fake but in fact they are real. Monsters can be people who commit heinous crimes and transform themselves from being human into something much darker and sinister. In no place can we find more of this type of monster than in fiction. “The Cask of Amontillado” by Edgar Allen Poe is the perfect example of a monstrous character masked as a human being. Poe creates his Monster, Montresor, by portraying him as a cold and calculated murderer with an intelligence that makes him both devious and terrifying.…