How does Luhrmann, through a combination of genres and film techniques, represent the views of his characters in light of the ideals of the Bohemian Revolution?
In your response refer to three characters and analyse key moments in the film.
Moulin Rouge is a film that was directed by Baz Luhrman, that revolves around the bohemian revolution. Luhrman combines genres and film techniques, to represent his characters during the bohemian revolution. The Can Can scene, Elephant Scene and the ‘Spectacular Spectacular’ scene are all three representations of how the bohemian revolution affected civilisation around that time.
The Can Can scene starts by showing Harold Zidler welcoming the audience into the Moulin Rouge, followed by his ‘diamond dogs’ and other entertainment hat could be found. Red lighting is shown on Zidler’s face all throughout the scene, referencing that he is a part of the underworld of the city. The costumes of the Can Can dancers express that it is an extravagant place, with high entertainment for wealthy customers of all ages. The fast-paced music and quick shots of different angles excites the audience as the dancers race around the room to entertain their guests, while previewing what the underside of their dress’s are like. The Can Can scene has an erotic genre, giving the viewer excitement by the revealing dancers. Christian is shown to be excited, joining in all of the fun, but is soon overwhelmed by what he see’s all around him and freezes in his spot temporarily before sitting down at his table.
In the ‘Spectacular Spectacular’ scene, all the characters are trying to con the duke to fund the play, and Zidler starts to notice a connection between Christian and Satine. Zidler’s voice seems aggravated, with tone of sexual innuendo, and his body language is exaggerated. The music is burlesque, as they dance in unison to the ‘can can’ rhythm, dancing around the duke trying to dazzle him into investing.
Comedy is