“You can tell an artist is excellent when he denies his own perfection.” (Shakespeare 78 -79) Based on the characters Beatrice and Benedick the conflict between the two is that they have trouble expressing their love for each other, throughout the book the foil insult each other until they realize they love one another. In Much Ado About Nothing by William Shakespeare, Benedick serves as the foil character of Beatrice by which Beatrice’s reasonable taste are illuminated through Benedick’s bearing thoughts; thus, compound the twist and conflict to the plot.…
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The main examples of deception we see are from the characters of Beatrice and Benedick.. We as the audience are exposed to their ‘merry war; ad they exchange witty and sarcastic banter, providing the humor throughout Shakespeare’s comedy and very interesting comparisons to be commented onIn act 1, we are introduced to Beatrice who Beatrice tends to take charge of every conversation, not reluctant to state her own views on a subject regardless of whom she addresses. Her wit and sarcasm are wasted on the messenger, who doesn't know what to make of her. Her uncle, Leonato, acknowledges her ongoing "merry war" with Benedick. Finally, she engages Benedick himself, who can give back as good as he gets.Benedick too is mentioned before he appears, but only by Beatrice, who is clearly bitter toward him, apparently as the result of previous experience with him. In his battle of words with Beatrice, Benedick puts up a noble fight, finally putting her on the defensive, but while Benedick has the last word this time, Beatrice ends the conversation…
Of all the characters from Shakespeare’s “Much Ado About Nothing”, Beatrice is perhaps the most interesting. As a brilliant and outspoken, her character is quite the opposite of her cousin, Hero. One must ask, “In what way is Beatrice different from other women during Shakespeare's era?” And furthermore, “for what purpose did the author write her as the firm character she plays as?” Beatrice’s character cannot be adequately pegged down by the interpretation of the reader, as she is both seemingly realistically presented and yet fictionally portrayed by the author.…
Out of the 37 plays and 154 sonnets that Shakespeare wrote, “Much Ado About Nothing” has become one his most popular pieces. The comedy follows Don Pedro, Claudio, and Benedick after they return home from war. Upon meeting Hero, Claudio immediately falls in love with her, and with the help of Don Pedro, Hero agrees to marry him. As they prepare for the wedding, Don Pedro plans to get Beatrice and Benedick together while Don John plots to ruin Hero and Claudio’s relationship. Both succeed, as Beatrice and Benedick admit their love for each other, and Claudio shames Hero at their wedding, believing that she had cheated on him. By the next day, they discover that Don John had staged the scene, and Claudio and Hero still got married, and Benedick got engaged to Beatrice. Throughout the play, Shakespeare uses character foils to emphasize the traits of his characters, and add to his story. In the play, “Much Ado About Nothing” by William Shakespeare, Benedick and Claudio are foils of each other because of their personality traits, choices, and reaction.…
First of all, a quick summary of Shakespeare’s Much Ado About Anything. In the beginning of this story a respectable noblemen named Leonato, his daughter Hero, and his clever niece Beatrice are waiting on the arrival of friends from the war. The group of friends include prince Don Pedro, and two of his fellow soldiers; Claudio, who is an up and coming young nobleman, and Benedick a man known for his battle skills and witty jokes. Also within the group of friends are; Don Pedro’s illegitimate brother Don John and his entourage of two people. When the soldiers arrive at Leonato’s home, Claudio is very taken by Leonato’s daughter Hero. While Benedick and Beatrice continue a mutual hatred for each other through a confrontation of crude insults. Claudio and Hero shortly after meeting pledge…
We as Americans reminisce on history to see and understand the advancements we have accomplished and the same can be said of not only the advancement of women but also the image of how women are portrayed. Although in today’s day and age, their figures and beauty are scrutinized but also exploited. For instance in both Tennessee Williams motion picture, “A Street Car Named Desire” and Lorraine Hansberry A Raisin in the Sun you are able to see the evolution of the not only the portal of women but also the advancements they accomplish.…
The plot of Much Ado About Nothing centrals around misunderstanding, as during the Elizabethan era “Nothing” was pronounced “Noting”, meaning to observe, to take notice of or to write something down – take note of something, as the reader learns the play revolves around observation and surveying, however often these ‘notings’ are not continuously accurate, they are often misinterpreted or misunderstood and also misreported. The title highlights the idea of how lack of careful noting habitually results in tragic consequences. Furthermore ‘nothing’ during the Elizabethan era was the colloquial term for vagina. As the plot also revolves around men, their relationships or lack of relationships with women, this places women as the main focus of the play as the title could be portrayed as revolving around them this creates a more powerful image of women throughout the play.…
Gender roles play a big part in people’s lives every since time started. Over the recent years some things about gender roles has changed but some of it still stands today. In my essay I will talk about the things that have and haven’t changed in gender roles.…
In Much Ado About Nothing, Shakespeare presents an interesting relationship between the characters of Beatrice and Benedick. We can compare their relationships with the poems ‘Sonnet 130’, ‘Sonnet 43’ and ‘Salome’ and the relationships presented in them. Although Shakespeare includes a conventional relationship between Hero and Claudio, he also decides to involve a different affair between Beatrice and Benedick.…
Feminism was a topic that kept recurring throughout the story. Feminism was usually showcased to be important to Beneatha, she was a young black woman going to college “Listen, i’m going to be a doctor. I’m not worried about who i’m going to marry yet if i ever get married”. Beneatha didn’t care what people wanted for her, she wanted to do what she wanted like become a doctor, even if her older brother didn’t believe in her. Also she wasn’t worried about getting married, she wants to finish a career first. “You see! You never understood that there’s more than one kind of feeling which can exist between a man and a woman-or, at least there should be” (Beneatha). Beneatha believes that men and women can be just friends without having any to be anything more. That just because a man support a woman or talks to them that means automatically like a man.…
Shakespeare's play Much Ado about Nothing' has two main female characters, Beatrice and Hero, who are cousins. Both appear to be completely different in the beginning of the play but, as things progress and their characters develop, there are also some very obvious similarities between them. Hero and Beatrice have a very close relationship; they are best friends. Leonato is Hero's father but Beatrice has no parents, which gives her greater freedom. Where Hero is polite, quiet, respectful and gentle, Beatrice is feisty, cynical, witty, and sharp.…
“Much Ado About Nothing”, a comedy written by Shakespeare, tells us the story of a complex love story between two pairs of lovers. Recently, I had watched two adaptations of this play. One was the original play written by Shakespeare and directed by Branagh. The other adapted by David Nicholls and directed by Brian Percival. The Shakespearean adaptation takes place in the Renaissance era of Messina, Italy. The adaption by David Nicholls takes place in the modern era, in England. Clearly, the Shakespearean version is much older, and so it differs from the modern adaption greatly. In terms of setting, feminism and language, distinct differences can be found.…
The patriarchal society is a setting of ‘Much Ado about Nothing’ that shows male domination and women suppression. Men like Don Pedro, Benedick and Claudio returns with victory from the battle. It implies the boasted male ego. Male honor serves as a crucial importance to men in the play. Leonato questions the messager that ‘How many gentlemen have you lost in this action?’ It hints that physical strength is a definition of manhood. With Don Pedro, Claudio and Benedick rise of power as a soldier with victory, they hold great power as a upper social class. In Act 1, the exposition of the play emphasize on men’s talk, only the outspoken Beatrice can have a word or two, but the men still dominate the conversation that brings out the male domination as a setting of the play.…
Finally, near the end of the play, Emilia realizes “we must think men are not gods” (3.4.144). Although she knows her correct role in society in order to be accepted, she has come to see the lack of equality between men and women. She understands that in order to be presented to society, they must put on an act for their husbands. They do not need to think of them as gods, but must treat them as they are. She now believes that a woman being referred to as “whore” (4.3.74) is not tolerable. When something goes wrong, the men should not have the power to put the blame on the women. Emilia comes to this realization when she speaks her mind to Desdemona and says “But I do think it is their husbands’ faults / If wives do fall” (4.3.87-88). This is foreshadowing the fate of both woman’s lives in the play. They both die by “faults” of their husbands. “The ultimate irony in the play’s representation of male-female relations is the fact that two women accused by their husbands of “falling” morally, actually fall not morally but physically, before [their] eyes” (Vanita 352). In a…
The implications of her not being a virgin plays on the fear of cuckoldry. As well as challenging the then era’s concepts of how women should act. It contradicts the prescribed performative for the female gender. This can also be used to argue that similar performatives being used in romantic comedies is a hindrance to storytelling, and halts progression of the genre. As well as the real lack of change in the characters in both “Much Ado about Nothing” and the romantic comedies of…