Music And Architecture: The Relationship Between Architecture And Language

Introduction
What?
Any research study of architecture and language dives into familiar but deep seas .Thinking architecture without any language is a vast and elongated theory of discussion. Moreover, it adds to a never ending psychological debate which challenges the analogous nature of writing and seeing architecture. People have their own invented worlds where they see the world with different organs of perception where ‘the eye listens’, greatly said by Picasso. This conversation surpass the shades of meaning restricted to intelligence alone, allowing us to witness, to feel, a more accurate perception of structure and movement , of relating to space and time together , in all their rhythms.
This is not something new to encounter or feel
Can we think without language?
When one does architectural project he’s not thinking with language, he’s been thinking through an internal representation of the world which can be revised by new information about the world or he thinks through impressions. He again emphasizes on the play between body, space, sensations and time, Architects need to give form to the knowledge their own bodies have and they should turn it into a working tool. We perceive with our feet, our ears, our eyes, with smells, rhythms, whispers and the brain.
I always think that music and architecture are closely related , first of all emotionally architecture is as complex as abstract as the music but it is communicating source doesn’t not only communicate through mind when you listen to a Bach-oratorio it’s about the soul and soul is in architecture , it based on the balance and that balance it is not in the eye its actually in the inner ear so similarly drawing is really a score , its just like a piece of music that has been interpreted by a community and off course proportions , lights , materiality which are all implicated in the building which when it comes to a building off course has too also present the atmosphere of a building
New Yorkers who asks that how could the architects imagine this tower , I mean this big one chunky tower may be 50 storey or 60 storey which are touching the horizon could be easily projected on few sets of drawing. For instance there is regulation of text or of the project after its been done so the power of dreams is so strong that one can think without language but it might be different on paper or verbalizing it using words because we never used such words while creating and when language is challenged there is an opportunity for poetry to make its