‘Night of the Scorpion', in which Ezekiel recalls the behaviour of 'the peasants', his father, his mother and a holy man when his mother was poisoned by a scorpion's sting. Here the aim is to find poetry in ordinary reality as observed, known, felt, experienced rather than as the intellect thinks it should be. While the peasants pray and speak of incarnations, his father, 'sceptic, rationalist', tries 'every curse and blessing, powder, mixture, herb and hybrid' and a holy man performs a rite. After a day the poison is no longer felt and, in a final irony, his mother, in contrast to the previous feverish activity centred upon her, makes a typical motherly comment:
My mother only said
Thank God the scorpion picked on me and spared my children.
The 'Thank God' is doubly ironic as it is a commonplace expression of speech in contrast to all the previous religious and superstitious activity. Ezekiel's purpose is not, however, an expression of scepticism but rather the exact notation of what he saw as a child. The aim is not to explain but to make real by naming, by saying 'common things'. The poem is a new direction, a vision of ordinary reality, especially of Indian life, unmediated by cold intellect. The new purpose is seen in the poem's style, unrhymed, with line lengths shaped by natural syntactical units and rhythm created by the cadences of the speaking voice into a long verse paragraph, rather than the stanzaic structure used in earlier poems.
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In his poetry there is the truth of acknowledging what is felt and experienced in its complexity, contradictions, pleasures, fears and disillusionments without preconceived ideas of what poetry should say about the poet and life.
Nissim Ezekiel’s ‘Night of The Scorpion’ is much appreciated by the critics and it has found place in many anthologies for as excellence, Critics,