I strongly agree with this critique and find it to be very true in the case of Sophocles’s Oedipus the King. To begin, this play demonstrates the role of gods in a person's life very well. In Oedipus the King, the citizens of Thebes (and Corinth) heavily worship the Greek gods (Apollo, Zeus, Dionysus, Hermes, etc). The citizens in this Greek tragedy rely on the gods for practically everything. At the beginning of the play three Greek gods/goddesses alone are mentioned. At the beginning, citizens are burning wool before temples of Athena to help try and rid the plague. There are two ways gods are incorporated in this. This first is obvious (the temples of Athena), the citizens are burning here because Athena is known for being the protector of Greek cities. The second way is through the burning of wool; burning of wool was used for offerings to Apollo, the god of healing and prophecies. Throughout the play, there are several more mentions of Apollo, dealing particularly with his prophecy of Oedipus. The
I strongly agree with this critique and find it to be very true in the case of Sophocles’s Oedipus the King. To begin, this play demonstrates the role of gods in a person's life very well. In Oedipus the King, the citizens of Thebes (and Corinth) heavily worship the Greek gods (Apollo, Zeus, Dionysus, Hermes, etc). The citizens in this Greek tragedy rely on the gods for practically everything. At the beginning of the play three Greek gods/goddesses alone are mentioned. At the beginning, citizens are burning wool before temples of Athena to help try and rid the plague. There are two ways gods are incorporated in this. This first is obvious (the temples of Athena), the citizens are burning here because Athena is known for being the protector of Greek cities. The second way is through the burning of wool; burning of wool was used for offerings to Apollo, the god of healing and prophecies. Throughout the play, there are several more mentions of Apollo, dealing particularly with his prophecy of Oedipus. The