Tragedy In Oedipus The King

“Tragedy is an imitation not of men but of a life, an action…” (Aristotle). Greek Tragedy was invented five hundred years Before Common Era, and focuses on the actions of characters. These actions emphasize the harsh reality in which the innocent mankind lives in. In Oedipus the King, Oedipus is defined as one with great potential, but has a hamartia leading to the ultimate demise of himself. Oedipus’ actions are tragic, as he tries to make the right choice but fails. He was dealt a hand that would only lead him to lose. Furthermore, Sophocles develops Oedipus as a relatable character which allows for catharsis to occur. Aristotle’s, The Poetics, explains the necessary components to create a powerful Tragedy. Oedipus the King is a powerful representation of Aristotle’s ideas on tragedy, so the purpose, protagonist, fall, and plot elements in Oedipus the King demonstrate the concepts of tragedy written in The Poetics.
Sophocles portrays Oedipus as a standard man with a desire for knowledge. As Oedipus quests for truth the audience sees himself/herself as Oedipus; the relationship sets up for the catharsis soon to come. After ascending
I saw Oedipus with likeable motives, but his choices purged my emotions for Oedipus. He craves knowledge until he is so disgusted that he sees Jocasta’s suicide and gouges out his own eyes. In the beginning, Oedipus was full of potential but destined to commit evil. The play spirals downwards as Oedipus learns more of his history. Oedipus the King is a moving tragedy. The play follows all concepts written in The Poetics concerning tragedy. The audience is brought to a holistic catharsis, a spiritual revelation, that will help he/she be honorable, more useful and responsible citizens. Like the sudden flip of the face-down card, the audience abruptly disregard their hope for Oedipus realizing his doomed