This article used an Aristotelian rhetoric. The author made sure to provide proofs (references). In this case, both ethos and logos is the proof, but more so logos. The author(s) made sure to present themselves in a credible way by structuring the article with a background of cultural bias and different areas of cultural bias in the classroom. The apparent truth of the matter at hand was presented all throughout the article regarding cultural bias in teaching. The authors offered credible evidence to support their argument. That evidence included: facts, examples, and deductive and inductive reasoning.…
Apostrophe: “O golden daughter of god, send rescue, radiant as the kindness in your eyes!” Page 272 (Oedipus)…
The ability to see is a much more complex ability than just the physical attribute. Most individuals have the ability to see physically but are blind to the reality of certain circumstances. In the play, “Oedipus the King” by Plato, Oedipus, the tragic hero, is not a blind man but cannot see the reality in the outcome of trying to escape his given fate.…
2) Socrates did not always think that he was wise, many people labeled him as a teacher. Socrates did not really care for this label. He did not really think that he knew much. Socrates had a friend named Chaerephon who went to the oracle the God of Delphi. Cheaerephon asked the oracle is there any one wiser then Socrates, the oracle answered no (21a). Socrates did not understand this and set out to prove the oracle wrong. While out to prove the oracle wrong Socrates realized he is wise but not because he knew everything, but because he realized he knew nothing and didn’t act as if he did.…
Doesn’t the same hold for all the other things? Don’t you call shapes and colours admirable on the account of either some pleasure or benefit or both?…
As a result of his uncertainty and lack of knowledge, Oedipus’s actions become brazen and unjust. Showing his lack of knowledge of all the facts, he accuses Teirisias and Creon of conspiring to dethrone him, even though they are innocent. Creon tells Oedipus, “If you think that stubbornness without sense is a good gift you are not wise” (126). Here, Creon points out Oedipus’s rash judgment and persistence, yet Oedipus continues to be stubborn. Oedipus’s refusal to stop and admit that he is wrong exemplifies his hubris and contributes to his…
Sophocles’s use of both plot and character within his classic tragedy “Oedipus the King” portray the religious and ethical views of the Classical period of Ancient Greece to such an extent that Knox goes so far as to say that “the audience which watched Oedipus in the theatre of Dionysus was watching itself.” Marlowe uses similar tools of character construction and plot in “Dr Faustus” to reflect the beliefs and moral attitudes held in Elizabethan England. The playwrights both use the conceptions of their protagonists to present contemporary beliefs; for example, the initial portrayal of the characters of Oedipus and Dr Faustus demonstrate ideological characteristics of a man within their respective contexts. On the other hand, with the…
Socrates is known as the lover of wisdom and the lover of beauty. His speech is a response to Agathon who comically states that love is beautiful and young, the opposite of Socrates. Socrates inquires is love considered to be a love of something or of nothing? He compares that to how a father is a father to his children and a brother is a brother to his siblings. Socrates expresses that love’s desire suggests that one does not own what he or she loves. Socrates further explains this by giving the example of a healthy man having the desire to remain healthy. One’s desire for things is for the future. The desire rests in the preservation and not the lack thereof. This statement of love being a love of something shows that there is a connection…
Oedipus, who was “sick at soul” eventually “tore the brooches from the robe of his dead wife and ground the pins into his eyes” (Bennet, Kerr, 3). As a result of this action, it is shown that Oedipus, filled with guilt and shame, imposes his own punishment on himself by abolishing his sense of sight. Through this, Oedipus clearly demonstrates how high the degree of remorse he feels is. On the contrary, when Creon becomes informed of the deaths of his own son and wife, he asks aloud “Is there no sword for me, to end this misery?” (Sophocles, 16). In this scene, Creon wishes to end his misery by killing himself as well, but as the story comes to a conclusion, it is speculated that Creon in fact, does not sentence himself to death. He imposes to only to be led away, to dwell for the remainder of his life in his own kingdom. It is here, that the true distinction between Oedipus and Creon shows. Oedipus, undeniably showing more remorse brings blindness and exile upon himself, compared to Creon, who only decides to reside within his home to live forever in sorrow. Unmistakably, through their self-imposed retributions, Oedipus demonstrates a higher level of remorse when compared to…
Any great story has its critics ready to critique every great detail of a story. Sophocles’s Oedipus the King is no exemption. Oedipus the King was written around 430 B.C. so this play has had plenty of time to be critiqued. Not only has this Greek tragedy been around for so long, but it is considered a masterpiece; it only makes sense for something very famous to be criticized even more.…
"What walks on four legs at dawn, two legs at noon, and three legs at nightfall." This was the riddle posed by the Sphinx who at the time was destroying the city of Thebes. The riddle was solved by none other than Oedipus who was made king for ridding the city of the Sphinx. Ironically though, Oedipus in his life comes to embody the riddle of the Sphinx and its soulution. Firstly, the Sphinx is percieved as a curse on Thebes and Oedipus also becomes a curse by the end of the play. Secondly, Oedipus's physical health embodies the riddle. Thirdly, Oedipus's emotional state also resembles the riddle. Lastly, the events of Oedipus's life relate to the theme of identity in the play.…
If one thing is for certain throughout the play Oedipus The King, it is that Oedipus has many good qualities to go along with his few flaws. These good traits, such as his generosity, selflessness, quest for truth, and kind nature prove that Oedipus is very noble, which means that he possesses high ideals or excellent moral character. This nobility is a major reason as to why Oedipus’ downfall is majestic, or large and impressive in extent or conception. Oedipus goes from being a “child of luck”-as he refers to himself in one translation of the play-and King of Thebes, to being blind and exiled from his land by the end of the play.…
like to feel as though we have done something wrong because we fear the consequences. We…
In King Oedipus By Sophocles, Oedipus is doomed to fail in life from the very beginning. Like all tragic heroes Oedipus is destined to suffer and fall. When Oedipus was a child Oedipus’s parents, Laius and Jocasta (the king a Queen of Thebes), got news from an oracle that their son is going to kill his father and marry his mother. Laius and Jocasta try to prevent this from happening by giving their son to one of Laius’s servants and tell him to leave Oedipus on Mount Cithaeron with his feet pinned together. They do this because they don’t have the heart to kill their son, so they send him off to a place where he will die. The messenger himself doesn't want to leave Oedipus to die and he gives Oedipus to a shepherd. That shepherd then gives…
In Oedipus the King, lines 1477-1484 form the conclusion of the play. After Oedipus is banished from Thebes, the Chorus addresses the people with this passage, explaining Oedipus’ success and downfall. This passage also indicates to the reader how throughout the play, the people’s perspective of Oedipus shifts from respect to shame. In the beginning of the play, the people of Thebes regard Oedipus with respect and envy. On line 14, a priest calls Oedipus “my country’s lord and master”, a title that displays the priest’s respect of his king. As he was highly regarded, Oedipus was the subject of the people’s envy: on line 1749, the Chorus proclaims Oedipus was the “Envy of all in the city who saw his good fortune”. The people’s admiration for…