Opposites and Paradoxes in King Lear
Opposites and paradoxes in King Lear
Through McAlindon’s study of King Lear a number of key ideas come to the forefront concerning the development of the play, namely the oppositional and paradoxical nature of the play as well as the themes of familial bonds tied with the importance of heart alongside an appreciation of time and haste. Each of these provides an insight into the tragedy of King Lear as they help progress an understanding of the themes that allow the creation of pathos in the play.
The sequence of oppositional characters and motifs in the play bring about in the audience a sense of the corruption of principles that beset the protagonists of the play. With this sense of opposition comes a strong sense of the duality within the play seemingly centred on the Epodoclean theory of a “world governed by the contrary forces of love and hate.” Though this is not unusual for a stage production, McAlindon believes that when the bond of opposites that constitutes the natural order of “revolt against limit and fly to extremes.” This can be seen in the characters foremost as the sons of Gloucester as well as the daughters of Lear are directly opposed to each other. Indeed it is in the internal nature of Lear that this is focused most powerfully as his beliefs in love and kindnesses are offset by the egocentric and chloric feelings that dwell within his heart. It is mainly from the character and fate of Lear that the true extent of the breakdown of nature can be seen as within the space of two weeks he has sunk from kingship to a world of destitution and poverty as he suffers at “th’ extreme verge” in his relationship with his family. What is most tragic in relation to Lear though is his rediscovery of Cordelia before the heart wrenching death she endures as he is thrown from the heights of grief before his heart gives way under the strain of ecstatic joy. But while the emotional converses that Lear endures are tremendously powerful they are not the only
Through McAlindon’s study of King Lear a number of key ideas come to the forefront concerning the development of the play, namely the oppositional and paradoxical nature of the play as well as the themes of familial bonds tied with the importance of heart alongside an appreciation of time and haste. Each of these provides an insight into the tragedy of King Lear as they help progress an understanding of the themes that allow the creation of pathos in the play.
The sequence of oppositional characters and motifs in the play bring about in the audience a sense of the corruption of principles that beset the protagonists of the play. With this sense of opposition comes a strong sense of the duality within the play seemingly centred on the Epodoclean theory of a “world governed by the contrary forces of love and hate.” Though this is not unusual for a stage production, McAlindon believes that when the bond of opposites that constitutes the natural order of “revolt against limit and fly to extremes.” This can be seen in the characters foremost as the sons of Gloucester as well as the daughters of Lear are directly opposed to each other. Indeed it is in the internal nature of Lear that this is focused most powerfully as his beliefs in love and kindnesses are offset by the egocentric and chloric feelings that dwell within his heart. It is mainly from the character and fate of Lear that the true extent of the breakdown of nature can be seen as within the space of two weeks he has sunk from kingship to a world of destitution and poverty as he suffers at “th’ extreme verge” in his relationship with his family. What is most tragic in relation to Lear though is his rediscovery of Cordelia before the heart wrenching death she endures as he is thrown from the heights of grief before his heart gives way under the strain of ecstatic joy. But while the emotional converses that Lear endures are tremendously powerful they are not the only