Cordelia is a catalyst and sparks action in the play. Her actions at the start of the play provide us with an explosive opening and create much suspense. Her behaviour prompts Lear’s stupidity and subsequent action. Her refusal to “heave her heart into her mouth” causes Lear to banish her and he ends up at the mercy of his two evil daughters. If Cordelia had not spoken as she did, Lear would never have embarked on his journey of rediscovery. Her scenes with Lear in Act IV provide much poignancy and show the reader how much Lear has changed. She acts as a perfect foil for her evil sisters, Goneril and Regan. Her reaction to them at the start of the play leaves the audience interested but suspicious. Her words “nothing, my lord” and Lear’s actions arising from them trigger the theme of “nothingness” in the play. She also brings the theme of “appearance versus reality” to the forefront. She personifies true love in the play. Words can eloquently describe love but they do not express it. Only behaviour expresses it. She forgives her father and strives to look after him despite his betrayal of her. She honours her filial duty within the play. Both she and Edgar are needed in the play to represent good. If they were not present in the
Cordelia is a catalyst and sparks action in the play. Her actions at the start of the play provide us with an explosive opening and create much suspense. Her behaviour prompts Lear’s stupidity and subsequent action. Her refusal to “heave her heart into her mouth” causes Lear to banish her and he ends up at the mercy of his two evil daughters. If Cordelia had not spoken as she did, Lear would never have embarked on his journey of rediscovery. Her scenes with Lear in Act IV provide much poignancy and show the reader how much Lear has changed. She acts as a perfect foil for her evil sisters, Goneril and Regan. Her reaction to them at the start of the play leaves the audience interested but suspicious. Her words “nothing, my lord” and Lear’s actions arising from them trigger the theme of “nothingness” in the play. She also brings the theme of “appearance versus reality” to the forefront. She personifies true love in the play. Words can eloquently describe love but they do not express it. Only behaviour expresses it. She forgives her father and strives to look after him despite his betrayal of her. She honours her filial duty within the play. Both she and Edgar are needed in the play to represent good. If they were not present in the