Preview

Origin of Epic Theatre

Good Essays
Open Document
Open Document
957 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Origin of Epic Theatre
ORIGINS OF EPIC THEATRE

JOE CARROLL

2nd HND PERFORMING ARTS

Introduction

In the following essay I will explain the origins of epic theatre and what is actually meant by the term epic theatre. I will look at the people who influenced this form of theatre, the essential elements and how they differ from naturalism and affect the actor.
I will also look at the production elements and how they differ from other types of theatre.

Origins of Epic Theatre
Bertolt Brecht was a playwright and practitioner who wrote plays which attacked bourgeois values. His plays were full of humour but bleak and cynical.
Erwin Piscator was a director who developed left wing expressionist theatre ‘agitprop’. This was made up of a shortening of the words agitation and propaganda.
He was a Marxist director who also developed left wing expressionist theatre ‘agitprop’. This was made up of a shortening of the words agitation and propaganda. His aim was to make theatre part of the social struggle. Agitprop was songs and short sketches which would hopefully bring about political action through creating agitation in the audiences mind. He wanted the spectators to act on what they had seen. His aims were to influence voters, raise class consciousness and clarify what communist policy was.
The communist party commissioned him to create Revue Roter Rummel in 1924. It was a collection of statistics, factual information, slide projection, dance, gymnastics with music and sketches which was taken around workers meeting halls. The 2 main characters, a master butcher and an unemployed workers began arguing in the audience and went up onto the stage. They remained there giving comments throughout from bourgeois and proletarian points of view.
His main aim, he said was to create ‘direct action in the theatre’: “I hoped to achieve propagandistic effects which would be more powerful than it was possible with plays, where the ponderous structure and problems tempt you to psychologies



Bibliography: Modern drama in theory and practice 3 Expressionism and Epic Theatrte. J.L. Styan The Political Theatre: A History 1914-1929 Erwin Piscator www.citycol.com/perfdesn/Piscator.htm www.theatre/tezzaland/webstuff/piscator.htm

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Study Guide Chicanon 37

    • 377 Words
    • 2 Pages

    traditional theater as performed in venues such as Broadway? El Teatro Campesion differed in its first few years from Broadway in the sense that El Teatro Campesino’s skits could be performed anywhere on any stage like the back of a truck or the corner of a street unlike in Broadway where they may need their stage set up in numerous ways. They also do not use as much props as are used in Broadway.…

    • 377 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Our research also consists of watching numerous videos on the internet to further enhance our knowledge of the style we are performing in. 'There is a strand of theatre - the physical and the visual - that speaks a completely different language from the traditional well made play and spans theatre, puppetry, dance and visual arts.' Lyn Gardner - The Guardian.…

    • 646 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Max Stafford-Clark is one of the most influential directors to embrace British Theatre in the past 40 years. Nearly every play Max has directed is political, including themes such as Marxism (like Brecht), socialism, feminism, poverty and many more political themes. Max says he chooses to direct plays like this because “I am socially curious, and I take theatre as tool of investigating society” from his book Letter’s to George, which alone with Taking Stock, has documented his directing experiences of theatre and his life.…

    • 2117 Words
    • 9 Pages
    Powerful Essays
  • Good Essays

    When dwelling upon the main developments of the theatre, one turns to look at the origins of its birth, therefore focusing upon the Ancient Greeks. A lot of the theatre in which is established today comes from the activities of Greek Worship. The Greeks worshipped their Gods, including ‘the worship of Dionysus; the God of fertility and wine.’ (Gascoinge; History of Theatre, 2001 ongoing.) The Greeks worshipped their Gods through the use of sculpting, painting, music and literature, alongside this they incorporated dance, music and drama. As many of the Athenian’s were illiterate, Greek Theatre was used to explain to the communities the literature in which was written, allowing them through ‘reading artistic signals’ (Michael Walton, J; The Greek Sense of Theatre, Pg.4) to understand ‘the world about them, their fellow men and their Gods.’ (Michael Walton, J; The Greek Sense of Theatre, Pg.4)…

    • 886 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    The Cabinet of Dr. Caligari

    • 2651 Words
    • 11 Pages

    References: Eisner, L.H. 1973. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. Berkeley and Los Angeles: University of California Press: (9-5, 17-27). ISBN: 0-520-02479-6…

    • 2651 Words
    • 11 Pages
    Powerful Essays
  • Powerful Essays

    Brecht held socialist and anti-bourgeois tendencies from a young age. It was not until the mid to late 1920s, however, that he would adopt a firmly Marxist belief system whilst studying under the tutelage of the radical socialist, Karl Korsch. The concepts of class struggle, revolutionary justice and democratic socialism passed onto Brecht by Korsch were of great influence to the subject matter of his future productions and the further development of the epische Theater and Lehrstücke. Brecht aimed to provide an alternative to traditional bourgeois theater, forcing his audience to think critically…

    • 1623 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    Explain the most significant theories of the origins of theatre: most widely known theory is championed by anthropologists in the late 19th and early 20th centuries that envisions theatre as emerging out of myth and ritual (society becomes aware of forces that appear to influence or control its food supply and well-being, connection between actions performed by group and results it desires leads to repeat/refine/formalizing those actions into rituals, stories/myths grow up around a ritual, performers dress up, act out the myths. (more info pg 2). Storytelling-relating and listening to stories are seen as fundamental human pleasures (pantomime/impersonation/each role assumed by diff people), recallings can be elaborate, dance and song, imitate animals. Can be inspired by a great many…

    • 5412 Words
    • 14 Pages
    Good Essays
  • Satisfactory Essays

    The theatre design was an extraordinary design which revolutionized today's live theatre. There was a balcony, floor seating, trap doors on the ceiling and floor, and there was Elizabethan architecture. The crowd had a 180 degrees view of the play depending on where they were sitting. The actors had a hard time making their voices heard because of the huge theatre, the theatre sat 3,000 people. Unlike today's live theatres back then there were no stagehands or special effects like lighting. The theatre had many built in a likeness to it, in Italy, Czech Republic, Japan, Germany, and…

    • 658 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    Vsevolod Meyerhold

    • 462 Words
    • 2 Pages

    * He explored theatre as a kinaesthetic spectacle where an actor understood the inner and outer rhythm of the character.…

    • 462 Words
    • 2 Pages
    Good Essays
  • Good Essays

    It presents the events and facts as being a self contained entity without having influence on a greater scale, which is simply not true. The linear cause and effect plotting of the history leaves out any nuance with in the narrative which then excludes the complicated origins of performance and cultural practices, and especially when they are problematic to the keeping the pristine a-political nature of art that the History of the Theatre wants to convey. In it’s attempt to simplify and create a linear encyclopedia, it leaves the reader without the history of theatrical performance but instead with technical specs of theatres and industrial…

    • 270 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Brecht was influenced by this political philosophy, he pursued equality in the world and the people that surrounded him. This principle remained stable through the rest of his life. In fact, Marxists influence is present in each of his plays and productions. Through his plays, Brecht intended to alert the audience to the need for social change. He incorporated the concept of Epic Theater to provoke self- reflection and a critical view of the action on stage. Brecht employed the use of techniques to remind the spectator that the play is a representation of reality and not reality itself. One of Brecht’s key aesthetic notions was the concept of Gestus. Gestus is a clear character gesture or movement that is used by the actor that captures a moment or attitude rather than delving into emotion. Brecht “insisted on regarding poetic and theatrical language as "gestic" and even on requiring gestic music. It was the "gestic material" that the actor must interpret in order to convey the plot. He considered the narrative line to be the main business of any theatrical event” (Fiebach). Brecht wanted for the audience to tell what was happening in the scene based solely on the actor’s gesture and it was up to the audience to interpret that…

    • 504 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Tragic Hero

    • 640 Words
    • 3 Pages

    Chapters 40 and 41 provide helpful pointers for writing about plays and for developing research papers. Be sure to review both chapters thoroughly before you begin doing any further work for this assignment.…

    • 640 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    Have you ever wondered how the theater become so popular? People will think that it was because of Hollywood or some other thing, but it started on the eastern side of the world. There was a movement called the Renaissance, and that movement created theaters and many other things that people enjoy in our modern world. There were many theaters during the Renaissance, but one of the greatest known theaters were the Elizabethan theaters. The Elizabethan theater would not become a spectacular place for entertainment if it was for a new time period, the playwrights, and the theater’s design and features.…

    • 1675 Words
    • 7 Pages
    Good Essays
  • Powerful Essays

    xpressionism has meant different things at different times.in the sense we use the term today certainly when we speak of “German expressionism”, it refers to a broad, cultural movement that emerged from Germany and Austria in the early 20th century. Yet expressionism is complex and contradictory. It encompassed the liberation of the body as much as the excavation of the psyche. Within its motley ranks could be found political apathy, even chauvinism as well as revolutionary commitment.…

    • 2584 Words
    • 11 Pages
    Powerful Essays
  • Satisfactory Essays

    Erwin Piscator war ein Trendsetter für das politische Theater. Als Intendant und Regisseur, hat er das Geschehen beeinflusst.…

    • 1499 Words
    • 6 Pages
    Satisfactory Essays

Related Topics