Pre- and Post-Renaissance Italian Art
World Hist. Honors
Artistic Differences
(Contrasts between pre- and post-Renaissance Italian art)
The Renaissance led the mired middle Ages artistic scene into a new era of creative expression and enlightenment. Pre-Renaissance Italian painting was characterized by depictions of the “ideal” – it ignored the common people, and focused only on religious figures. This painting shows what appear to be three saints at a table, celebrating the Eucharist. Whether or not they are actually saints, or made to be recognizable specifically as such if they are, is irrelevant – the focus of the artwork is still a religious one, and shows very little individual expression of the artist. Most works were commissioned by the Church, and the artists themselves received little recognition for their work or room for artistic flexibility. Before the Renaissance, art didn’t belong to the artist. Perspective was poorly represented in Middle Ages paintings. In this painting of Christ on the crucifix, it appears that the archers are all in one line because of the lack of a perspective-providing point of view, but on closer inspection some archers overlap others, but none seem to be any closer to or farther from the viewer. However, in this Renaissance-era painting by Rafael, The School of Athens, it is clear to the observer that the scene they are looking at is receding from them. In addition, the individuals in Rafael’s painting are far more realistic than the ones in any pre-Renaissance paintings. Renaissance painters studied the human form, and applied that knowledge to their paintings. Unlike the anonymous painters from the religious pre-Renaissance era, artists like Rafael gained great renown for their accomplishments. Athens is also a large break from the religious focus of the pre-Renaissance artwork. All of the people shown are great Greek philosophers, with statues of the Greek deities as well. In the pre-Renaissance era, this would have been denounced as heretical and
Artistic Differences
(Contrasts between pre- and post-Renaissance Italian art)
The Renaissance led the mired middle Ages artistic scene into a new era of creative expression and enlightenment. Pre-Renaissance Italian painting was characterized by depictions of the “ideal” – it ignored the common people, and focused only on religious figures. This painting shows what appear to be three saints at a table, celebrating the Eucharist. Whether or not they are actually saints, or made to be recognizable specifically as such if they are, is irrelevant – the focus of the artwork is still a religious one, and shows very little individual expression of the artist. Most works were commissioned by the Church, and the artists themselves received little recognition for their work or room for artistic flexibility. Before the Renaissance, art didn’t belong to the artist. Perspective was poorly represented in Middle Ages paintings. In this painting of Christ on the crucifix, it appears that the archers are all in one line because of the lack of a perspective-providing point of view, but on closer inspection some archers overlap others, but none seem to be any closer to or farther from the viewer. However, in this Renaissance-era painting by Rafael, The School of Athens, it is clear to the observer that the scene they are looking at is receding from them. In addition, the individuals in Rafael’s painting are far more realistic than the ones in any pre-Renaissance paintings. Renaissance painters studied the human form, and applied that knowledge to their paintings. Unlike the anonymous painters from the religious pre-Renaissance era, artists like Rafael gained great renown for their accomplishments. Athens is also a large break from the religious focus of the pre-Renaissance artwork. All of the people shown are great Greek philosophers, with statues of the Greek deities as well. In the pre-Renaissance era, this would have been denounced as heretical and