I try to experience many different forms of storytelling, but one of my biggest drawbacks is that I do so much preparation beforehand to try and avoid bad experiences. I will look up reviews and let them strongly influence my decisions. I do this because there are so many different options, and I want to limit myself to the best of the best. This is counterproductive in a few ways. First of all, the “best of the best” is completely subjective, and someone’s favorite book may have a terrible consensus from the general public, so I may be limiting myself from things that I could love that others do not. Secondly, how am I supposed to accurately judge anything if I am limiting myself from the proper context by avoiding what other people think is “mediocre” or “bad?” How can a book or a movie be “good” if I have no basis to judge it by, and how many things have I labeled “bad” that are actually a decent effort when considered in the context of the medium? Finally, while I may be constantly inspired by many of these things, I will never make tremendous improvements with my writing and critiques unless I open myself up to everything the world has to offer. In my attempts to only enjoy what I experience, I may be hampering my perceptive skills or writing skills, and I could also be restraining myself from truly enjoying something in the context that it should be enjoyed. The only real solution, seeing as …show more content…
I do love to read fiction, but I’ll admit that I read very little of it. Most of my reading happens on the internet, and it is of primarily editorial work. My writing, then, works better as something analytical, than it does as a creative piece of fiction. When I attempt to write fiction, I am at a loss for ideas. I have plenty of inspiration from great stories, but I lack the breadth of experience or observation to write my own fiction. Not to mention my personality type, which is cold and logical in a way that doesn’t lend itself to the creation of engaging fiction. Although you may bring up someone like Stanley Kubrick, who was a very cold, logical, perfectionist, but managed to create great works of art through his films. He, at least, was an idea man, and had the determination to execute them perfectly. You may notice, however, that his films lack the type of relatable characters or emotional warmth that you come to expect in most fiction. It is a very distant style that resulted in mixed reception throughout his entire career. It takes a special type of genius to make beautiful art from a logical