Harrison’s stage directions gives the performers room to powerfully use the props and sets to symbolize the true feelings of each character. I experienced this from watching a production of “Stolen” by the Sydney Theatre Company. The five actors were always repositioning their beds in the institution across the stage to highlight how stability and security were unavailable to them in the ‘homes’, this also showed the emotional impact on each character of always feeling like they are hiding or on the run from authority figures. As an audience member I really felt each characters pain through the directors use of the elements of drama within the performance, it added a perception of realism and deepness to each characters aura.…
"I feel just like Julia Roberts in Pretty Woman except for that whole hooker thing."…
The theme of social class is also shown through the character of Sheila. Sheila is a character whom takes advantage of the social standing which she holds and thinks because of this that she holds power over others. This is shown in Act One when she recalls being in a “furious temper” when she was in the department store Millwards where she is a frequent customer, she informs the inspector of the scene where she apparently saw Eva Smith smiling when Sheila tried on a dress. Sheila then takes advantage of the social standing which she hold and orders the store to dismiss the girl or she would “persuade mother to close [their] account with them”. The fact…
as though they are more elite than her. Even though Eliza was low class she seemed like a…
It has been shown in the book “Pygmalion” by Bernard Shaw, and in the movie “ A Knight’s Tale” by Brian Helgeland. The two stories incorporate ideas tied to culture. These culture’s helped show the train of thoughts of people along with their actions towards others. Everyone grows up with traditions. Traditions were shown in “Pygmalion” and “ A Knights Tale” displayed as giving much enjoyment to the people. Other people view the culture and ways of an individual and learn to assimilate it in their live or gain a different perspective on…
* Stage directions are also used to reveal the humour and action on the on stage performance. At the end of act one scene two, the audience is informed by Doug that there is a fire. Nowra uses stage directions to capture the chaos as the characters run of the stage trying to stop the fire and Cherry attacks Doug by throwing herself on him, her hands on his throat, choking him.…
The nuances of speech set the characters in their social class context and show the differences of social status and education as well as of character personality. In the play the very marked differences between Stanley and Blanche are stressed by Stanley's non-grammatical, slangy speech compared against Blanche's poetic, smoothly, upper-class spoken language. She also constantly reminds Stanley that she was a teacher of English. When playing the character of Blanche it was important to consider her delivery of language. At times there is a lyrical quality in her words, emphasising their emotional content. Stella also speaks correct English, as she is from the same social roots as Blanche but uses a matter-of-fact, mostly unemotional tone, except when she speaks of her love for her husband. Mitch, like Stanley, non-grammatical in the way he speaks: his efforts at speaking properly are spoilt by grammatical slip-ups such as "I perspire", never "I sweat (page 52, scene 6). He cannot follow or match Blanche's flights of fancy, and is acutely aware of this. The language of this text relates to the historical and cultural context of the play, (New Orleans, 1940’s) using abbreviations, and the American language. The language of the characters is dissimilar to what it would be in the modern times. For example; men were more powerful than women at this time and this is shown by the way Stanley talks to the women, and how he reacts when Stella tells him what to do. Stanley refers himself as ‘King of the home’ and speaks to Stella in a degrading manner. During an early workshop we explored the…
DIRECTIONS: Refer to dialogue, stage directions, and background information in Act I as you an- swer the following questions.…
Miller also uses stage directions to give the reader a better understanding of the characters. It gives actions the characters do more meaning. Giles’s stage directions are things that show his courage and strength but he also worries for his wife, he, usually is a strong man but the stage directions show he became “shaken” when he learned of all the people who were accused including his wife. Stage directions also show the reactions of characters. It tells us what the character is feeling without the character actually saying anything. For example, when Hale speaks to Proctor about Abigail he “widens his eyes” and is “suspicious” towards Proctor. The lies Abigail came up brings Rev. Hale to question Proctor a respected citizen of Salem. Lying caused harm to all people in the town of…
Victorian England, especially London had a severe problem with poverty. Many people in London lived in poverty. Eliza is one of these many people that lived in poverty during the Victorian era in London. In the play Pygmalion and musical My Fair Lady, the main character, Eliza, is shown to be poor and living in poverty. Both the play and musical show how she lived in poverty and how her poorness hindered her from attaining a job. Since she cannot speak well she can’t get a job as a lady in a flower shop. Because she could not get a job she had to resort to selling flowers on the street. Seeking help to learn how to speak properly, she goes to Henry Higgins, a phonetics professor. He teaches Eliza how to speak properly and how to act like a lady over the course of six months. After learning how to speak and act properly, this raises Eliza’s status because she no longer appears to be poor. Poverty during…
This unit focuses mainly on Acts 1 and 2 of the play. You should make sure that you have read these two acts of the play before you read the unit.…
The directors used split stage as a dramatic effect throughout the play, for example near the end of the play when Linda and Eddie meet up to talk when Linda is upset they used split stage when they hugged while Mrs Lyons found Mickey and pointed it out to him that Eddie and Linda were together as they were hugging. They also used the levels to create dramatic effect throughout the play, for example the Narrator was always in the background watching everything go downhill for the Johnstons like he was up in one of the buildings looking out of the window or standing on the…
Henry Higgins is a professor of phonetics and believes that an important factor in establishing one’s own social status is by the way a person speaks and presents themselves. Every division of a society is marked by linguistic differences but Higgins believes that there is a perfect and proper approach to the English Language. Higgins speaks Standard English which is a widely accepted form of English in the United Kingdom also known as Received Pronunciation (RP). Non-standard grammatical constructions and localized vocabulary characteristic of regional dialects are avoided in RP. Therefore, it does not contain any clue of the speaker’s geographic background but it can reveal a great deal of their social or educational background. As for Eliza Doolittle, she speaks the Cockney dialect of English and is unconcerned about her pronunciation and grammar. Cockney dialect is one of the traditional dialects of London’s poor working class where it is known for its distinctive pronunciation and word choices.…
The driving force of the plot also centres on the very idea of class. Not only does the novel concern itself with what class the characters belong to, but also by what means, or means of production, each character gained their status.…
To start with, language is a significant thing in the representation of the characters for the time and place the novel was written in as they use language significant to their ‘group’.…