Rei Kawakubo
always focused on the possibilities and conceptual properties of black. unconventional and provocative apparel that is often distressed and deconstructed. specialises in anti-fashion, austere, sometimes deconstructed garments. During the 1980s, her garments were primarily in black, dark grey or white, and the materials were often draped around the body and featured frayed, unfinished edges along with holes and a general asymmetrical shape. journalists labeled her clothes ‘Hiroshima chic’ amongst other things.
she is greatly involved in graphic design, advertising and shop interiors believing that all these things are a part of one vision and are inextricably linked.
My design process never starts or finishes. I am always hoping to find something through the mere act of living my daily life. I do not work from a desk, and do not have an exact starting point for any collection. There is never a mood board, I do not go through fabric swatches, I do not sketch, there is no eureka moment, there is no end to the search for something new. As I live my normal life, I hope to find something that click starts a thought, and then something totally unrelated would arise, and then maybe a third unconnected element would come from nowhere. Often in each collection, there are three or so seeds of things that come together accidentally to form what appears to everyone else as a final product, but for me it is never ending. There is never a moment when I think, ‘this is working, this is clear.’ If for one second I think something is finished, the next thing would be impossible to do.”
Concerning Deconstruction - Rei Kawakubo
One of my favourite Japanese designers, Rei Kawakubo, founder of Comme des Garcons, was born in Tokyo in 1942. Being untrained as a fashion designer, but having studied fine arts and literature, she conveys her ideas verbally to her patternmakers. After graduation Kawakubo worked in a textile company and began working as a freelance stylist in
she is greatly involved in graphic design, advertising and shop interiors believing that all these things are a part of one vision and are inextricably linked.
My design process never starts or finishes. I am always hoping to find something through the mere act of living my daily life. I do not work from a desk, and do not have an exact starting point for any collection. There is never a mood board, I do not go through fabric swatches, I do not sketch, there is no eureka moment, there is no end to the search for something new. As I live my normal life, I hope to find something that click starts a thought, and then something totally unrelated would arise, and then maybe a third unconnected element would come from nowhere. Often in each collection, there are three or so seeds of things that come together accidentally to form what appears to everyone else as a final product, but for me it is never ending. There is never a moment when I think, ‘this is working, this is clear.’ If for one second I think something is finished, the next thing would be impossible to do.”
Concerning Deconstruction - Rei Kawakubo
One of my favourite Japanese designers, Rei Kawakubo, founder of Comme des Garcons, was born in Tokyo in 1942. Being untrained as a fashion designer, but having studied fine arts and literature, she conveys her ideas verbally to her patternmakers. After graduation Kawakubo worked in a textile company and began working as a freelance stylist in