In the epic of Gilgamesh the women’s role is very small and not as sigificant. Up until now we are introduced to Ishtar, the goddess of love, fertility, and war; Ninsun, the mother of Gilgamesh; Aruru, the goddess of creation; and Shamhat, the temple prostitute. One can see that these four women have roles in the story, but it must be noted that none of these women are regular townspeople. Throughout the poem, women are seen as either gods, mortals with a higher status than most, or objects. Take for instance Shamhat, the temple prostitute. It is said that she can tame a wild man by her sexuality. She is told, "Shamhat, open your embrace, open your embrace, let him take your charms! Be not bashful, take his vitality! When he sees you, he will approach you. Toss aside your clothing, let him lie upon you. Treat him, a human, to woman’s work! His wild beasts that grew
In the epic of Gilgamesh the women’s role is very small and not as sigificant. Up until now we are introduced to Ishtar, the goddess of love, fertility, and war; Ninsun, the mother of Gilgamesh; Aruru, the goddess of creation; and Shamhat, the temple prostitute. One can see that these four women have roles in the story, but it must be noted that none of these women are regular townspeople. Throughout the poem, women are seen as either gods, mortals with a higher status than most, or objects. Take for instance Shamhat, the temple prostitute. It is said that she can tame a wild man by her sexuality. She is told, "Shamhat, open your embrace, open your embrace, let him take your charms! Be not bashful, take his vitality! When he sees you, he will approach you. Toss aside your clothing, let him lie upon you. Treat him, a human, to woman’s work! His wild beasts that grew