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Rennasaince: Leonardo de Vinci

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Rennasaince: Leonardo de Vinci
Shariah Copeland
Professor Knotts
Arts 1101
19 January 2013

Renaissance: Leonardo da Vinci
Known as the Renaissance, the period immediately following the Middle Ages in Europe saw a great revival of interest in the classical learning and values of ancient Greece and Rome. Against a backdrop of political stability and growing prosperity, the development of new technologies–including the printing press, a new system of astronomy and the discovery and exploration of new continents–was accompanied by a flowering of philosophy, literature and especially art. The style of painting, sculpture and decorative arts identified with the Renaissance emerged in Italy in the late 14th century; it reached its zenith in the late 15th and early 16th centuries, in the work of Italian masters such as Leonardo da Vinci, Michelangelo and Raphael. Renaissance art sought to capture the experience of the individual and the beauty and mystery of the natural world. Leonardo da Vinci was a man of many accomplishments. He was a painter, architect, inventor, and a student of all things scientific.. Da Vinci received no formal education beyond basic reading, writing and math, but his father appreciated his artistic talent and apprenticed him at around age 15 to the noted sculptor and painter Andrea del Verrocchio, of Florence. For about a decade, da Vinci refined his painting and sculpting techniques and trained in mechanical arts. When he was 20, in 1472, the painters’ guild of Florence offered da Vinci membership, but he remained with Verrocchio until he became an independent master in 1478. Around 1482, he began to paint his first commissioned work, The Adoration of the Magi, for Florence’s San Donato, a Scopeto monastery. Leonardo Da Vinci's numerous skills have earned him the title of renaissance master. Da Vinci's fascination with science and his in-depth study of human anatomy aided him in mastering the realist art form. While Leonardo's counterparts were known to create static figures in their works, Leonardo always tried to incorporate movement and expression into his own paintings. All the personages in his works are painted with great accuracy and detail that it is sometimes said that Da Vinci painted from the bones outward. His life experiences all influenced his works and often, his paintings never left the sketchpad, or were only partially completed, as Leonardo often abandoned his commissions in order to flee from social situations.
Leonardo had one of the greatest scientific minds of the Italian Renaissance. He wanted to know the workings of what he saw in nature. Many of his inventions and scientific ideas were centuries ahead of his time. For example, he was the first person to study the flight of birds scientifically. Leonardo's importance to art was even greater than his importance to science. He had a strong influence on many leading artists, including Raphael and Michelangelo. Leonardo's balanced compositions and idealized figures became standard features of later Renaissance art. Painters also tried to imitate Leonardo's knowledge of perspective and anatomy, and his accurate observations of nature.

Leonardo da Vinci's Mona Lisa painting, in the Louvre in Paris, is arguably the most famous painting in the world. It is probably also the best known example of sfumato, a painting technique partly responsible for her enigmatic smile. There's been a lot of speculation about who the woman in the painting was. It's thought to be a portrait of Lisa Gherardini, wife of a Florentine cloth merchant called Francesco Del Giocondo.
Leonardo da Vinci was a brilliant man and an incredible artist and inventor. He was extremely fortunate to be born in an age and place where he could demonstrate that brilliance. I think Leonardo DA Vince was very influential in many areas.

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