By exposing her naked body to the audience, Carolee Schneemann represents the vulnerability amongst women, who were set barriers over centuries. During her procedure of drawing lines of mud on her skin, she contours the curves of her body, which is similar to Lydia Schouten’s corset, as it advertises a specific female image. This can also be linked to male-dominated art movements such as Pop art, which she claims makes female nudes look “like an automobile. Mechanized. […] No lubricity, no fleshiness” (“Carolee Schneemann: ‘I never thought I was shocking’”). The mud across her body, therefore, represent the connection to the natural world, in comparison to the images of mechanized/industrialized women in Pop art. Because Carolee Schneemann is standing on an elevated platform (table), above the audience while reading from her book, the audience members are forced to listen. Metaphorically it could be interpreted how the stereotypes were pushed upon women. The action of Carolee Schneemann drawing the scroll from her vagina is the aggressive/confronting act in her performance. It is unpleasant to look at, yet it grabs the audience’s attention and enables the artist to finalize her message. Later, the artists mentioned that “[She] thought of the vagina in many ways – physically, conceptual: as a sculptural form, an architectural referent, the sources of sacred…