Preview

Research Paper On Bettina Rheims

Good Essays
Open Document
Open Document
247 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Research Paper On Bettina Rheims
Bettina Rheims is another artist recognized for her stimulating flair, presenting dominant women declaring eroticism as a device in order to conveying feminism. Rheims's photographs, in her own words, explore what's "underneath the skin," Reveling in her sitters attitudes and longings.
Throughout her vast career she depicts distinguished personalities like Madonna and Kate Moss, as well as anonymous models from the street, anyone looking for empowerment through beauty and eroticism. Interesting enough, she does this also by admitting faults, imperfections and vulnerability.
While male photographers have repetitively been accused of misogyny for their erotic representations of women in the past, Rheims has claimed nudity and skin as a way to

You May Also Find These Documents Helpful

  • Satisfactory Essays

    My name is Tanisha Cummings and I am the Field Admin for American Homes 4 Rent. Our records show you were schedule to vacate 14506 Windmill Meadows Court on 4/19/17. Please confirm that you vacated the home and turned in you keys. If you have any additional question or concerns please feel to contact me at your earliest convenience.…

    • 61 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Much of her art may inspire it’s viewers to think about gender and/or sexuality, as it explores such topics. My favorite pieces of hers are her photogenetics, as they intrigue me. Some appear to be female, but are not what one would consider beautiful, which may cause the viewer (such as myself) to ponder how beauty and gender are associated. Her sculptures reflect the same themes.…

    • 498 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    The middle sibling is Leticia Rosales, born on January 12, 1978 in Huntington Park, California. Growing up she always found trouble, not major trouble always want attention. At age 17 she came out to the family that she was a lesbian. She struggled with not being accepted in the family. She eventually left home at 18 years of age to live with her girlfriend. She attended Riverside community College for a few years. She ended her relationship with her girlfriend due to domestic violence. She struggled with some depression due to this break up and due to a broken ankle. She then focused on working fulltime as a project assistant. She has kept her position as a project assistant for 15 years and works for a great company. She started a new relationship…

    • 150 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Amelia Martin, is like many other young people who have angry parents. She wishes they would talk, laugh, and share good times together as they did in the past. In Amelia's mind, her family's tension and disagreement between the northern and southern states the abolitionists and the slave-holders. In many ways, the slavery issue is the cause of her family's problems.…

    • 257 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Through mud, grass, manure, and more my cowgirl boots tell the story of a girl named Jessica Bronner. The turquoise stitching that runs up and down the sides of the boot fade to a brown as they reach the bottom from the many mud-wars and dirt they’ve encountered. Her favorite color, turquoise, lines inside walls like crystal blue waters. The inner calf is rubbed and worn from the countless hours brushing against the inside of her pant leg and saddle. Water-stains line the bottom of each sole from puddle jumping and late nights in the wet grass. Beat up and scratched are the toes; from kicking rocks, horse hooves, and rowdy games. The heals are chipped and tattered from dancing on old dirt roads and barn floors. Flipping and spinning, whirling…

    • 247 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    For the first time, Cindy Sherman had decided to opt out of photographing herself in this series, and relies strictly on the replacement of dismembered mannequins as her models. In researching an explanation for her graphic art style, I encountered a website louellamartin.wordpress.com, where in an interview with John Zinsser, she defends her work by saying," I would hope that these images would make people comfort their own feelings about sex, pornography, or erotic images and their own bodies" (Zinsser…

    • 458 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In the 1980’s, female artist addressed the dominance of cultural perceptions regarding female agency, pleasure, and spectatorship. In order to make their voice heard in a white male dominant art industry, they created works of art from paintings to films that challenged the social stereotypes and ideologies about female identity. This essay will define these three perceptions and examine the artworks from artist such as Julie Dash, Kobena Mercer , and Jenny Saville. These artists paved a way for the feminist movement through the use of disturbing the normative constructions of femininity, racial identity, and the body.…

    • 776 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    The essay is greatly grateful to the above mentioned historiography associated with discursive regulation of female sexuality in Found and contemporary moral paintings, Pre-Raphaelite typologies of women4, and the implications of the sensuality of Rossetti’s stunners. This essay seeks to understand how Rossetti’s broader work prescribed to and participated in the Victorian discursive regulation of sex; how desire operated within the paintings of his paintings, and how paintings work to frame and control female…

    • 1369 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    Kehinde Wiley Analysis

    • 652 Words
    • 3 Pages

    More often than not, it shows a solitary figure, an attractive man in his 20s, enacting a scene from an old-master painting. Dressed in contemporary garb — a hooded sweatshirt, perhaps, or a Denver Broncos jersey — the man might be crossing the Swiss Alps on horseback with the brio of Napoleon or glancing upward, prophet-style, golden light encircling his head.In layman’s terms, his art is a skilled remix. He rearranges racial power dynamics, conceptions of beauty, gender, and “the gaze.” It makes us think about pop iconography and the history of portraiture” Deborah, S (2015, January 28) Kehinde Wiley Puts a Classical Spin on His Contemporary Subjects The New York…

    • 652 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Cindy Sherman

    • 481 Words
    • 2 Pages

    Cindy Sherman was one of the well known and most respected photographers in the late twentieth century. Rather than doing self portraits for her photographs, Sherman depicted herself in the roles of B- movie actresses. On one level, Sherman’s work appears to be subversively linked to ‘low’ art characterized by ‘b-grade’ film and photography, on another level, her work is regarded as the modernist ideal of the ‘high' art object. Sherman has raised challenging and important questions about the role and representation of women in society, the media and the nature of the creation of art. Sherman has been acclaimed as the subversive feminist that has boldly confronted issues concerning the female body. Even though some critics look at Cindy’s works as demining the women and exposing the women into low standards through her photographs, Cindy had a strong message for the viewers. In 1992 Sherman embarked on a series of photographs now referred to as "Sex Pictures." Sherman is not in any of these photographs for the first time in her career as an artist, yet she uses dolls and prosthetic body parts posed in highly sexual poses. She chose to often photograph up close and in color both female and male body parts which were purposely meant to shock the viewers. Sherman continued to work on these photographs for some time and continued to experiment with the use of dolls and other replacements for what had previously been herself. Critiques imply that the viewer is guilty for the negative readings of Sherman’s images. In a way Sherman’s constructed image of woman is innocent, and the way we interpret it is based on our social and cultural knowledge. Referring to the reaction of a gallery visitor who criticized Sherman for presenting women as sex objects, I would say that the visitor’s anger comes from a sense of his own involvement because the images speak not only to him but from him. Critiques depicted Sherman as a whore for producing such photographs but…

    • 481 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Migrant Mother

    • 868 Words
    • 4 Pages

    How do you interpret the image? What is your context for interpreting that image, and how may it correspond to the image of the painter or photographer who made the image? What power relation and status do you find in the image? How does Bordo help you understand the power of gender roles in this image?…

    • 868 Words
    • 4 Pages
    Better Essays
  • Powerful Essays

    Femme Fatale

    • 2851 Words
    • 12 Pages

    Since the beginning of recorded history we have been held to witness the influence of women and their sexuality on mankind. As sexual creatures, humans desire each other; generally men are more inclined to be seen as the ones who “need” the physical sexual act. This “need” that men have gives women an important power and opportunity over men. By controlling sex women can basically rule the world. This idea tends to scare men because men like to be the ones in control, but at the same time this thought of powerful dominating women is a sexual turn on. These natural curiosities we all have with our bodies, and fantasies we create, led to the eventual naming of this phenomenon as the Femme Fatale, coined by the French. Prior to the term being used, the actual idea of the Femme Fatale has been around since basically the beginning of time even seen in the mythology of cultures, such as the Greek sirens. In all cases of the Femme Fatale, she is seen as being a seductive trickster whom is solely responsible for the downfall of the men she preys upon. When this theme became consciously popular in art works it was given a name. My main purpose is to eventually describe how three artists took different approaches to their own depiction of the iconic Femme Fatale and how they compare to each other. The three artists and their works I will focus on are Ernst Ludwig Kirchner with his painting Street, Berlin, Aubrey Beardsley with his illustration Salome with the Head of John the Baptist, and Edvard Munch with his painting Vampire. I will start by first giving a comprehensive overview of the meaning of the term Femme Fatale. Next, I will give a general explanation of the use of the formal elements for each artists work selected, finally, I will compare and contrast how each artist approached the same theme of the Femme Fatale through the formal elements.…

    • 2851 Words
    • 12 Pages
    Powerful Essays
  • Good Essays

    By exposing her naked body to the audience, Carolee Schneemann represents the vulnerability amongst women, who were set barriers over centuries. During her procedure of drawing lines of mud on her skin, she contours the curves of her body, which is similar to Lydia Schouten’s corset, as it advertises a specific female image. This can also be linked to male-dominated art movements such as Pop art, which she claims makes female nudes look “like an automobile. Mechanized. […] No lubricity, no fleshiness” (“Carolee Schneemann: ‘I never thought I was shocking’”). The mud across her body, therefore, represent the connection to the natural world, in comparison to the images of mechanized/industrialized women in Pop art. Because Carolee Schneemann is standing on an elevated platform (table), above the audience while reading from her book, the audience members are forced to listen. Metaphorically it could be interpreted how the stereotypes were pushed upon women. The action of Carolee Schneemann drawing the scroll from her vagina is the aggressive/confronting act in her performance. It is unpleasant to look at, yet it grabs the audience’s attention and enables the artist to finalize her message. Later, the artists mentioned that “[She] thought of the vagina in many ways – physically, conceptual: as a sculptural form, an architectural referent, the sources of sacred…

    • 925 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Figure in art

    • 395 Words
    • 2 Pages

    Ever since the introduction of feminist movement into the world of figure in art, several woman artists have taken part in the deconstruction and dehumanization of the women nature or beauty, and appropriating the delicate bodies to the way they are portrayed in the current society. Contrasting to the religious aspects of art during the time period of the renaissance, Contemporary artists such as Jenny Saville have participated in sending out messages of the need to re-appropriate the female body, which has been conquered over time by the language of the old historical version of beauty and purity.…

    • 395 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Modernity

    • 794 Words
    • 4 Pages

    2. “Gender has been a crucial aspect of concepts of the gaze. In the history of art, the fact that paintings were for the most part geared toward male viewers, as art historian Griselda Pollock has noted in her work on modernity and the spaces of femininity, had as much to do with the commerce of art as it did with the social roles and sexual stereotypes of men and women” (Sturken and Cartwright 123).…

    • 794 Words
    • 4 Pages
    Good Essays