The story is non-chronological and is told out of order, mimicking the way that memories are often not remembered sequentially. In addition, the story is told like clockwork, told repetitively through memories that essentially keep Santiago alive twenty-seven years after his death. Although most of the chapters end on an exclamation similar to “They’ve killed Santiago Nasar!” the story is reconstructed again, with a new memory or voice telling the story, adding more pieces to solve the puzzle of Santiago Nasar’s murder (García Márquez 71). Santiago’s murder is retold in each chapter, but Santiago becomes ‘resurrected’ in the next where his last moments are replayed, up until the last chapter of the novel. The last sentence of the novel ends with the line “He went into his house through the back door that had been open since six and fell on his face in the kitchen”, again ending Santiago’s life, but this time ending the loop of Santiago’s death and his following resurrection (García Márquez 120). The novel ends with no conclusion, paralleling the fact that Santiago’s murder has no conclusion or resolution. Santiago dies with his innocence still in question, but the circumstances of his death causes Santiago to still be remembered and, therefore, to still be…