The controlling images and stereotypes that surround African Americans on a daily basis are meant to oppress and define the culture in which they live in, ultimately objectifying them in the process. The indefinite struggle that African American women must face due to these controlling images are highlighted throughout Patricia Hill Collins’ novel, Black Feminist Thought. She also embraces a sense of self-empowerment in an attempt to negate these images which were created by the dominant other, reinforcing that these images are typically maintained to justify the ideology of race, gender, and class oppression. Likewise, within Psyche A. Williams’ article, “Sucking the Chicken Bone Dry”, she explains the historical aspect in which stereotypes were created, mainly through the idea of a “chicken loving darky.” Through these exceptional readings, I can understand the plethora…
In the 1980’s, female artist addressed the dominance of cultural perceptions regarding female agency, pleasure, and spectatorship. In order to make their voice heard in a white male dominant art industry, they created works of art from paintings to films that challenged the social stereotypes and ideologies about female identity. This essay will define these three perceptions and examine the artworks from artist such as Julie Dash, Kobena Mercer , and Jenny Saville. These artists paved a way for the feminist movement through the use of disturbing the normative constructions of femininity, racial identity, and the body.…
In the seventies, the demand for black models within the fashion industry was scarce as fashion designers and modeling agencies preferred a particular mainstream image during this era. While the Civil Rights Movement was expanding, the same could not be said for the recognition of women of color in the racially-exclusive popular fashion publications and runway shows. Eventually, the racial boundaries slowly began to dissipate while black models were given the opportunity to demonstrate that the appearance of beauty, elegance and style in the world of fashion did not exclusively belong to only one culture defined by its skin tone.…
The portrayal of black women remains a representation of how people see them; treat them and how they observe themselves. From how they wear their hair, how they look, how they dress, their assets, skin color and ethnicity, they are being picked apart from things that serve no importance of how a black woman should be respected. In the article, “Mentoring and Mothering Black Femininity in the Academy: An Exploration of Body, Voice, and Image through Black Female Characters” by Devair and Rhonda Jeffries it examines the social construction of the identity of black women in the media. For example, most of what we see on the media is never accurate about black women; it is used to tear a community down because of the past racial attitudes. The article says, “A pressing issue is the lack of Black women’s voice and presence in both media productions’ illustra¬tion of them and the scholarship about them. Therefore, much of what is consumed by mainstream culture is a skewed, caricatured perception of Black women created by those outside o f their demographic”. (127). I believe the past has significance in the present about how black women are perceived in the media since it continues to put exclusion on black women and we continue to not stand up for how we should be characterized therefore, our identity becomes invisible to the…
According to Collins, African American women have been stereotyped throughout history as mammies, matriarchs, welfare recipients/mothers, and hot mamas/Jezebels/whores. She states that these stereotypes stem from slave era and were created as a form of manipulative domination by the white elites. She states that “these controlling images are designed to make racism, sexism, poverty, and other forms of social injustice appear to be natural, normal, and inevitable parts of everyday life”. To this day, Collins believes that objectifying black women allows white people to treat them as inferior and also keeps the black women mentally subjected to the white elite’s domination.…
Jeanne Rejaunier’s book describes how women were “ornaments” that could be passed along to the men who held power. Models who wanted to make it on a billboard or a TV ad had to subject themselves to powerful men, who demanded sex in exchange for opportunity. Written in the 1970s, one can assume that conditions have improved and that the physical and sexual abuses faced by models have certainly improved. However, a 2015 article called “Model life: to call it indentured servitude is no exaggeration” by Rose Hackman states that’s simply not the case. Rose Hackman’s article informs readers that behind the prestige and glamor of being a model, there is a life of indentured servitude. The thousands of ads we see are being made through exploitative…
In today’s entertainment industry, we have so many different genres of music. Two of the many different forms include country and rap music. In 2008, Jason Aldean’ s song “She’ s Country” was released, and the lyrics in the song describe how “typical” country women live their life. In comparison, J. Cole’ s song “Work Out,” released in 2011, shows how women are seen in the public eye. Both of these songs adhere to media mainstreaming the physical appearance of women through clothing. J. Cole and Jason Aldean emphasize in their lyrics, what they feel like women’ s gender roles should be. The two artists also objectify women, which may have consequences on the listeners. Although J. Cole and Jason Aldean are two different music artists, both…
Imagine a film opens with a shot of immensely vast blue eyes. The shot slowly expands to show a nose and red blushed cheeks. The shot continuously expands to show lips drowned by red lipstick, a slender neck, the cleavage of breast, flat stomach, and eventually slender long legs. This opening could very well be used in many films for the reason that it invites the viewer to see the woman as parts of a whole object. This camera expansion, in different variations, has been used in multiple films to capture a female character as an object of sexuality, to differentiate her from the male counterpart. The fact of the matter is women within the space of film are more often than not demonstrated as a form of objectification, a viewing pleasure, and an arena opposite of male. American film has often presented beauty not in the eyes of the beholder, but in the eyes of the white male; hence, popular beauty was white, blonde, and blue-eyed. However, through capitalization the American economy has shifted to globalizing their capitalistic efforts. This globalization has also shifted the established beauty to a worldlier one. American film shifted the idea of beauty to vaster ethnicity, yet objectification of females has not shifted. The American film Memoirs of a Geisha reveals the objectification of ethnic women and demonstrates the transformation of beauty within film.…
In part three, The Leaky South, Courtney investigates the impact of Tennessee Williams and the Hollywood adaptations of his works on the formation of the image of the South as a “leaky” place with people who are psychosexually in crisis in 50s and 60s. Through a close reading of the movies A Streetcar Named Desire and Baby Doll, Courtney argues that such films define a specific model of gender and sexuality according to geographical codes of identity. This model, shows the complete decay of dream-like version of the Old South with its Big Houses and plantations, specifically depicted in Gone with the Wind, completely ignores the racial conflicts happening in South at the time and replace it with a new version, which describes South as a leaky…
References: Banks, I. (2000). Hair matters: Beauty, power, and Black women’s consciousness. New York, NY: New York University Press.…
Reid does not just stop at the objectifying of black women in rap music; she goes on to argue that black women experience the same kind of treatment by men in their day to day lives. Men often feel their actions of degrading women are justified because they feel the objects of their treatment are the “bad” black women, as opposed to the “good” ones. This idea of good vs. bad limits the black women to two unfair social castes in their own misogynistic societies. The good black women follow the typical “mammy” archetype popularized by Harriet Beecher Stowe in her novel Uncle Tom’s Cabin. In modern context, the mammy figure is an African American woman responsible for cooking, cleaning, and caring for her children as well as her family. In contrast, the “bad” black women are the typical video hos; these are the women who live unchaste lifestyles, or at the very least act like they do. Their willingness to give up respect for themselves give their male counterparts justification in also abandoning all respect for the women.…
As per Charis Kubrin, a surely understood professor of Society and Psychology at the University of Washington, sexual generalization of ladies is apparent in sixty-seven percent of misogynistic melodies (Kubrin). For instance, we can reference the artist Nelly with his song “Tip Drill”, a song of much controversy. It verses, “I said it must be ya ass cause it ain't yo' face. I need a tip drill, I need a tip drill” (Nelly, “Tip Drill”). You can see within the video of this song nearly fully naked women, throwing money on women, and even Nelly swiping a credit card between a woman buttocks. The recurrence of such verses and symbolism mirrors the attitude operating Black community that women are to be used sexually then disposed of. This brings forth the thought that Black men keep away from responsibility and marriage which builds the generalizations on ordinary illegitimacy inside the homes of Black…
Beyoncé shows that women do not have to be silent, they can belt out sultry notes because they want to, and not because that is the only way to sell music. According to “Misrepresentation”, social media tells girls that confidence and accomplishment is not enough and that beauty reigns supreme. Well, Beyoncé (and Nicki for that matter) uplifts other women and shows that there is a wonderful exception that is within achievement with their mere existence. Her new, fast-selling album “Lemonade” contains a message of forgiveness, black empowerment, and women empowerment all in one-- a contradiction that simultaneously represents Beyoncé and womanhood. Furthermore, Beyoncé includes diverse women of color and background as her dancers. This use of diversity sends messages to young girls that beauty is not only defined as “thin blonde and white ” image, as presented in the…
Half naked, sweaty, dominated women are the face of almost every magazine, commercial, or ad. Women are simply used as objects to sell items and gain fans. Instead of being viewed as intellectual human beings, females are used to lure paying customers with their bodies. Alex Bilmes, an editor for a men’s magazine states that the women they use are simply ornamental and objectified. He goes on to compare the services that Esquire, the magazine, provides to be the same as providing “pictures of cool cars.” Men are constantly being bombarded with magazines that promote the objectification of women and in turn, men begin to treat them that way. Men are not only taught to view women as objects but that dominance is a key factor in establishing…
“Sex Sells!” is a concept advertising executives have known and used for years. However, this perception has also crept into other areas of our lives, particularly our online lives. If people want to garner attention for themselves online-steamy, sexy content is the tried and true method. If one wants their online gossip to be noticed by multiple viewers, include some sexual content for maximum views. Perhaps, a quick way to shame someone online is taking a piece of confidential information about the person and presents it in a post completely out of context. Nevertheless, the subject sex is not the only content used for self-promotion, gossip and shaming on the internet. Law professor and noted internet privacy expert Daniel J. Solove…