Because gender was viewed less as a strict binary and more as a continuum that men and women could inhabitant differing parts of at differing times, it is possible for one to analyze Shakespeare’s feminization of Henry in a way that makes it obvious that he is a surrogate for Elizabeth herself (Andrews, 377). In fact, Henry IV Part 1 “virtually demands that we associate the maternal, doubly gendered Henry with Elizabeth” (Andrews 381). Shakespeare presents Henry as physically feminine, as evident in the lines, “But be sure / I will from henceforth rather be myself, / Mighty, and be feared, than my condition / Which hath been smooth as oil, soft as young down / And therefore lost my title of respect” (1.3.4-8). In the sixteenth century, men were seen as hot and dry while women were wet and cold, so Henry’s self-description fell considerably more in line with notions of femininity than masculinity (Andrews 379). Shakespeare goes on to have Hotspur describe him as “pale” and “trembling” (1.3.140-142) and having begged with “tears of innocency” (4.3.63) for his duchy back, which creates a historically feminine image of Henry throughout the
Because gender was viewed less as a strict binary and more as a continuum that men and women could inhabitant differing parts of at differing times, it is possible for one to analyze Shakespeare’s feminization of Henry in a way that makes it obvious that he is a surrogate for Elizabeth herself (Andrews, 377). In fact, Henry IV Part 1 “virtually demands that we associate the maternal, doubly gendered Henry with Elizabeth” (Andrews 381). Shakespeare presents Henry as physically feminine, as evident in the lines, “But be sure / I will from henceforth rather be myself, / Mighty, and be feared, than my condition / Which hath been smooth as oil, soft as young down / And therefore lost my title of respect” (1.3.4-8). In the sixteenth century, men were seen as hot and dry while women were wet and cold, so Henry’s self-description fell considerably more in line with notions of femininity than masculinity (Andrews 379). Shakespeare goes on to have Hotspur describe him as “pale” and “trembling” (1.3.140-142) and having begged with “tears of innocency” (4.3.63) for his duchy back, which creates a historically feminine image of Henry throughout the