Shane Essay
Analytical Essay - Shane
On the surface, dreams and films seem to have absolutely nothing in common. How can anyone compare sleeping on a Tempurpedic mattress to watching James Bond drive an Aston Martin through the hills of Italy? The processes of sleeping/dreaming and watching a movie are not as shallow as they appear. Regarding dreams, the dreamer falls to sleep and submerges into a vast limitless world that they subconsciously outline. Although the complexity of dreams may seem to diminish the significance of experiencing a film, the counterargument to this belief is very compelling. McGinn, author of “The Power of Film,” explores the interesting correlation of dreams and movies. The goal of the average filmmaker is to target a set audience and emotionally connect them to the film like that of a dream. To accomplish this, he/she should appeal to the peculiar logic of creating a dream while watching a movie. The everyday movie-goer experiences the irony of being on the edge of his seat while going through the same actions and emotions as someone sleeping peacefully in their bed. Our subconscious responds positively to a film by encouraging the creation of an illusion similar to that of a dream. This is specific evidence of the presence of peculiar logic in this regard. The western is a great example of the kind of film that does provide an opening of fantasy from which film-goers can create a personalized world. Maybe it’s the general theme of an out-of-town guy, dealing with the plight of the town and that of his own, becoming a hero and succeeding in bringing justice. This model fits the classic western produced and directed by George Stevens, Shane, perfectly. Westerns are tailored perfectly to the general audience’s minds and are conducive for dream states. Andre Bazin, author or “What is Cinema?” delves deep into how the western genre can emotionally entice the audience due to their striking characteristics. More generally, Rudolf Arnheim, author of “The
On the surface, dreams and films seem to have absolutely nothing in common. How can anyone compare sleeping on a Tempurpedic mattress to watching James Bond drive an Aston Martin through the hills of Italy? The processes of sleeping/dreaming and watching a movie are not as shallow as they appear. Regarding dreams, the dreamer falls to sleep and submerges into a vast limitless world that they subconsciously outline. Although the complexity of dreams may seem to diminish the significance of experiencing a film, the counterargument to this belief is very compelling. McGinn, author of “The Power of Film,” explores the interesting correlation of dreams and movies. The goal of the average filmmaker is to target a set audience and emotionally connect them to the film like that of a dream. To accomplish this, he/she should appeal to the peculiar logic of creating a dream while watching a movie. The everyday movie-goer experiences the irony of being on the edge of his seat while going through the same actions and emotions as someone sleeping peacefully in their bed. Our subconscious responds positively to a film by encouraging the creation of an illusion similar to that of a dream. This is specific evidence of the presence of peculiar logic in this regard. The western is a great example of the kind of film that does provide an opening of fantasy from which film-goers can create a personalized world. Maybe it’s the general theme of an out-of-town guy, dealing with the plight of the town and that of his own, becoming a hero and succeeding in bringing justice. This model fits the classic western produced and directed by George Stevens, Shane, perfectly. Westerns are tailored perfectly to the general audience’s minds and are conducive for dream states. Andre Bazin, author or “What is Cinema?” delves deep into how the western genre can emotionally entice the audience due to their striking characteristics. More generally, Rudolf Arnheim, author of “The