In the protagonists original house, nothing seems out of place, everything seems “normal”. The clocks have twelve hours, the kitchen appliances are recognizable, and the tea pot, although cracked, is functioning. The protagonist’s house is very simple but has homely atmosphere. To the viewer, everything seems okay. However, as soon as the protagonist steps outside, then the reader can see the monster that’s looming over the city. First introduced with just a shadow, the reader can’t completely understand how big the monster is. The next page is dark. Tan made the next transition an aspect-to-aspect transition just to zoom out and show the magnitude of the beast. The panel bleeds from one page to the next revealing the spiked tentacles which appear to be intertwined with the city. This monster can represent an some sort of threat that’s omnipresent. Had Tan chose not to represent this threat as a monster, the viewer might not be able to relate to whatever is the source of the protagonist’s fear. However, when asked what someone would do when face to face with a monster, most would admit to being scared and try to
In the protagonists original house, nothing seems out of place, everything seems “normal”. The clocks have twelve hours, the kitchen appliances are recognizable, and the tea pot, although cracked, is functioning. The protagonist’s house is very simple but has homely atmosphere. To the viewer, everything seems okay. However, as soon as the protagonist steps outside, then the reader can see the monster that’s looming over the city. First introduced with just a shadow, the reader can’t completely understand how big the monster is. The next page is dark. Tan made the next transition an aspect-to-aspect transition just to zoom out and show the magnitude of the beast. The panel bleeds from one page to the next revealing the spiked tentacles which appear to be intertwined with the city. This monster can represent an some sort of threat that’s omnipresent. Had Tan chose not to represent this threat as a monster, the viewer might not be able to relate to whatever is the source of the protagonist’s fear. However, when asked what someone would do when face to face with a monster, most would admit to being scared and try to