Song Analysis Of 'Hyper Potion' By Porter Robinson

When discovering a satisfying song people long for more of the feeling when they hear the song for the first time, but when searching for another song in the same vein, people often can’t reproduce the sound they want. Usually, people consider about why they like the song and not what the song gives to them. The truth is that each song has a variety of characteristics which cause it to be unique. In turn, each characteristic depends on the artist to find the sound that they are looking for. Sometimes when looking for songs, we sort through a whole haystack just looking for the needle which suits our interest. Many of the values we like are in the songs we throw out, because if a song’s structure is poor, we can’t stand it. While most of a song’s core features are broad and too personal
“Shelter” by Porter Robinson has instruments with a more gradual pickup. This is done so that they don’t clash with the vocals or the style of the piece. Due to the softer and less jagged instruments, the vocals blend better with the piece, and when the song transitions between sections, the vocals blend into the background more. Hyper Potions’ “Littleroot Town” is a heavily stylized piece where most instruments reflect an eight-bit sound. Although the song isn’t truly eight-bit, the inclusion of slightly harsher instruments reflects an era of video games with a limited sound range and less space for music. Pickup on the notes is short to nonexistent, further reinforcing the style. Fitz and the Tantrums also have a deeply stylized piece titled “The Walker” where the vocals sound older and a whistled tune is used. The whistling starts at the beginning of the song and prevails throughout the opening. This sets the tone and shows how the rest of the vocals will sound for the piece. Using instrument effects, synthetic waveforms, and a sound quality alteration, artists can create any sort of piece they