Preview

Summary: Master Of Flemalle, Merode Altarpiece

Good Essays
Open Document
Open Document
626 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Summary: Master Of Flemalle, Merode Altarpiece
Topic One: Master of Flemalle, Merode Altarpiece, Northern Renaissance, 1425-1430s, oil on panel; Donatello, David, Italian Renaissance, 1446-1460s, bronze; Judith Leyster, Self-Portrait, Baroque, 1635, oil on canvas; Jusepe de Ribera, St. Jerome, Baroque, 1638-1640, oil on canvas “Merode Altarpiece (Triptych of the Annunciation)” is a triptych from the nineteenth century. It is a scene of painted with oil on a panel and shows the angel Gabriel visiting the Virgin Mary, Joseph making mice traps, and the patrons of the painting on the left side ready to enter the scene of Gabriel and Mary. The second work of art is David made out of bronze created by Donatello. The sculpture is life sized and is on display in a Florence Gallery. The third piece is a self-portrait of the Dutch artist, Judith Leyster. …show more content…
Jerome”. All the pieces previously stated have numerous contrast being from different time periods and having different subjects, but they have a great deal of similarities.
To begin, the art pieces are all unique and different in their own ways. For example, all of their mediums are different. “Merode Altarpiece “is made of oil on panels also known as a triptych which is defined as, “an art work made up on three panels. The e panels maybe hinged together so the side segments (wings) fold over the central area”. (Stokstad, 598). “David” built by Donatello, is a life sized sculpture in the round made out of bronze. The third piece, “Self-Portrait” painted by Judith Leyster is a causal looking self-portrait with the medium oil on canvas. Also, “St. Jerome” differs from the first

You May Also Find These Documents Helpful

  • Powerful Essays

    In the first panel of the Merode altarpiece a messenger is depicted on his knees seeming to be looking into the room depicted in the center panel. Behind the messenger is a woman kneeling and a guard towards the wall. There seems to be a wall around the house and plenty of plant life. The colors used are bright and reminiscent of springtime. The roses are in bloom, a blue sky and bird perched on the tops of the wall. In the second and center panel there are two people, the Virgin Mary and the angel Gabriel. There are also plenty of things in the panel hinting at the virgin’s divinity such as white lilies, the vessel of water and the white towel, the small windows at the side of the room…

    • 1275 Words
    • 6 Pages
    Powerful Essays
  • Good Essays

    In The Mérode Altarpiece by Robert Campin, the announcement to Mary that she will give birth to the Son of God is shown on Flemish domestic interior. The artwork is separated into sections, focusing mainly on the central panel. To Mary’s left, Gabriel, the Archangel, approaches her, blocking the view of the couple in the left-hand panel. This couple is dressed in clothing from the fifteenth century. Gabriel is dressed in a white robe with a blue belt tied around him. In the upper-left hand corner of the central panel, seven rays of light shine onto Mary’s abdomen, one of which has a miniature Christ carrying a cross and flying down to Mary. She sits at a table filled with items such as a vase, candle, book, and flowers. Mary holds her Bible in her hand with a white cloth and wears a red dress, unaware of the Angel to the left. In the panel to the right, Joseph is working in carpentry. A mousetrap lies in front of him, while another sits outside for sale. He works diligently on his pieces, unaware of what is going on in the room next to him.…

    • 520 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Northern Renaissance The Ghent Altarpiece, also called The Lamb of God, was created by Hubert van Eyck and Jan van Eyck finish it after the death of Hubert. This is an example of a polyptych, or a hinged, multi-panelled painting. It was completed in 1432. The measurements are 11’6” by 15’1”, so it’s a fairly large piece of art. The altarpiece is consists of twenty-four panels, different sizes and shapes, all arranged in 2 rows.…

    • 443 Words
    • 2 Pages
    Good Essays
  • Good Essays

    David Oath Of The Horatill

    • 1713 Words
    • 7 Pages

    In the painting, David sets the background a trio of historic Roman arches, creating visual stability and also separating the foreground figures into three dividing sections of individuals; the Horatii on the left, the father in the center, and women and children on the right. The three brothers are overlapping the profile, which usually seen in classical art. It also helps David to balances the work by the repetitive, not only the arches, the Horatii and the three woman, but also the swords of three and notion of three geometric forms. The first triangle which clearly to be seen to the Horatii’s legs. The form penetrates of three brothers as they stand next to each other.…

    • 1713 Words
    • 7 Pages
    Good Essays
  • Good Essays

    God appears above in the same colors, yet reversed on his person. A winged Gabriel stands to the left of the piece, presumably in the act of ‘annunciating’. To the Renaissance viewer, the…

    • 337 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    The 3D Mary is colossal and over-whelms her slender Gothic throne where figures peer through openings and halos overlap faces. Giotto uses a contrast of light to achieve a sense of volume in his figures and gives them a slight smokiness. This piece is clearly influenced by Cimabue’s Virgin Enthroned, and both pieces are very similar in style and technique.…

    • 383 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    In 1425, Fra Angelico was called upon to produce an altarpiece for the monastery of San Domenico in Fiesole, Italy. Angelico would create Annunciation; his perception of the commonly reproduced scene of the announcement of the birth of Christ. Seen in this tempera painted panel are the angel Gabriel as well as the Madonna alongside of a depiction of the expulsion of Adam and Eve from the Garden of Eden. Through selection of color, positioning and poses of figures, along with overall sparseness of the work, Angelico’s Annunciation functions to create a mood of calm and tranquility in this monumental scene of the church.…

    • 736 Words
    • 3 Pages
    Good Essays
  • Good Essays

    This centered figure position makes more focus on the human figure. St. Jerome was the Christian scholar and not a member of the royal family or a noble family. Therefore, this is not a portraiture. In particular, this artwork has formed part of a series of Goya’s the four Fathers of the Church series. Since these three elements meet the requirements of the Royal Academic classification of genre, this artwork can be defined as genre.…

    • 867 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Instead of a reflection, the two pieces utilize these characteristics to create a seemingly impossible aura, which if side-by-side, would serve as a chronological diptych. To commence the comparison, a historical background and characterization of each painting must first be evaluated. Although the open view of the Ghent Altarpiece is more comparable to The Last Judgment, the closed view assists the explanation of the origins of Van Eyck’s creation. Stolkstad (576) explains that Jodocus Vijd, a city official commissioned the piece for his jurisdiction’s cathedral.…

    • 938 Words
    • 4 Pages
    Good Essays
  • Good Essays

    During this time, art pieces were very dramatic and it is present in this sculpture with the way the figures are made. The emotions are visible by the way Mary is holding her dead son, her face is visible with dread and is slouching a bit to show her grief. Christ is extremely skinny and the body is falling uncomfortably into Mary’s hands showing that he’s dead along with all the blood and injuries visible on him.…

    • 455 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    When it comes to the symbolic meanings during this time, there are so many that stick out to me and I will go through the domestic environment of either the Merode Altarpiece. You can see that family is a mina concept during that time and what connects with that is the background in this oil painting. One of the symbolic thing in this picture would have to be the furniture that you can see, this represents how people had a great amount of money and you can really tell by just how this room is set up. One of the most unique thing is how a lot of people use angles and you can make a connection with Marry form the bible and the angle in general.…

    • 127 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Commentary Piece on Art in the Renaissance Breathtaking, inspiring and artistically engaging, “Spectacular Rubens: the Triumph of the Eucharist,” a new exhibition at the J. Paul Getty Museum, features the work of master artist Peter Paul Rubens told in both elaborate oil sketches and original tapestries woven in the early 1620s for a Franciscan convent in Spain. It’s the largest number of works for the Eucharist series assembled in more than half a century and the first time these tapestries have traveled to the United States. The Meeting of Abraham and Melchizedek, is a piece of art in the “ Spectacular Rubens: the Triumph of the Eucharist” exhibition that spoke to me and my religious views. Also what fascinated me about this piece of work is that there is two version of it. One of the version is made of wool and silk and is 500 x…

    • 834 Words
    • 4 Pages
    Good Essays
  • Powerful Essays

    Lindau Gospels

    • 1929 Words
    • 8 Pages

    In the absolute center of the cross, there is a square with a large red precious jewel; both the square and arms of the cross share a border of enamel, with color interspersed throughout. Four identical frontal portrait busts of Christ emerge outwards from the center of the perpendicular bisector. Due to the radial nature of the holy symbol, only one portrait of Christ is facing upwards, encouraging the viewer to see Christ from multiple orientations, although the images of Christ do not draw much attention. The arms of the cross flow into the cover’s seemingly different rectangular border, dividing the remaining negative spaces between into symmetrical segments. Unlike the strict rigid angles of the front cover, there are significantly less right angles, which gives a sense of fluidity to the cross and contributes to the sense of movement at work in the cover as a whole. Additionally, the entire cover is unlike the front, as there are no sections of “pure” untouched materials; the segments carry a complex facade transformed by the intricate, swirly, meticulous material of the interweaving design, consistent among the entire cover. Amongst the precise metalwork, there is a large jewel in the middle of this irregularly-shaped segment. Finally, it is clear the artists of this time were fascinated with the idea of using small inset…

    • 1929 Words
    • 8 Pages
    Powerful Essays
  • Satisfactory Essays

    The Ghent Altarpiece was both the foundation of a distinguished tradition of art and a challenge to Artists. The astonishing Ghent Altarpiece has different section that reveal a unique story that intrigue the mind of the viewers whether religious or not. Every other art tells a story and are display in the museums or important building such as churches, which means that there isn’t anything wrong with religious object being displayed.…

    • 277 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    my paper

    • 1340 Words
    • 4 Pages

    This sculpture is thirty-one inches tall that has an octagonal shaped base. The Virgin is seated on a stool. It has five columns and bases with very short pedestals. There are shafts with eight corners, which have four congruent longer sides and shorter sides. The bases of the columns are like the Ionian, but the capital is very similar to Corinthian style column because it has decorative leaves that look like they are pealing of its bell. There are four longer pedestals that separate the columns and knobs with slightly visible pegs. On the left hand side of the Virgin Mary, a peg is coming off a pedestal, which makes it more visible than the rest. Its friezes has a Romanesque style arches that are characterized with its semi-circular arches connects the columns. The friezes of the arches seem decorated with bas-reliefs (low-reliefs) or moldings weathered but still have left visible marks. The five corners of the cornice were topped of a two pairs connecting cyma moldings, having an upper convex curve and a lower concave curve giving a view of two overlapping flat ovals, then capped with slightly bigger oval shaped head with its longer radius lies down horizontally. The Virgin is seated on a blue-green pad. The pad gives the viewer an illusion of a soft texture pad, other than of its convex shape but has a deeper concave surface where Mary’s behind falls. The pad has decorative features: twelve circles and inside these circles are Alhambra patterns both circular and Alhambra patterns are drawn with pattern parallel from each other. The artist took much into consideration as the very fine details proves as it came to how the clothing flowed over the figures. It must have taken very much time as well as patience to engrave. From what is seen, the sculptor painstakingly carved out every single line and…

    • 1340 Words
    • 4 Pages
    Powerful Essays