“On 10 September 1914, shortly after the start of World War I, Nash reluctantly enlisted as a private for home service in the Second Battalion, the Artists' Rifles, part of the 28th London Regiment of Territorials. Nash's duties, which included guard duty at the Tower of London, allowed him time to continue drawing and painting” (“Paul Nash (artist),” 2016). While Nash was on duty h e“fell into a trench, broke a rib and, by 1 June, had been invalided back to London. A few days later the majority of his former unit were killed in an assault on a position known as Hill 60” (“Paul Nash (artist),” 2016). After he was sent to his home in London, he was declared as an official war artist. He had to make war sketcher for his paintings. Paul Nash's landscape portrayed terrible devastating scenes from World War I. The paintings are very realistic because they express the horror of the
“On 10 September 1914, shortly after the start of World War I, Nash reluctantly enlisted as a private for home service in the Second Battalion, the Artists' Rifles, part of the 28th London Regiment of Territorials. Nash's duties, which included guard duty at the Tower of London, allowed him time to continue drawing and painting” (“Paul Nash (artist),” 2016). While Nash was on duty h e“fell into a trench, broke a rib and, by 1 June, had been invalided back to London. A few days later the majority of his former unit were killed in an assault on a position known as Hill 60” (“Paul Nash (artist),” 2016). After he was sent to his home in London, he was declared as an official war artist. He had to make war sketcher for his paintings. Paul Nash's landscape portrayed terrible devastating scenes from World War I. The paintings are very realistic because they express the horror of the