Sunday Afternoon On The Island Of La Grande Jatte Analysis
Sunday Afternoon on the Island of La Grande Jatte was painted by a French Impressionist painter called George-Pierre Seurat. He is known for his innovative painting techniques known as chromoluminarism and pointillism. The painting Sunday Afternoon on the Island of La Grande Jatte altered the direction of modern art by initiating Neo impressionism, and is one of the icons in the 19th century. George-Pierre Seurat painted Sunday Afternoon on the Island of La Grande Jatte through the summer of 1884-1886. The painting shows members from different social classes while doing different activities in the park. There are about 60 studies of the composition of this painting which is why it took him two years to complete. When looking at this painting
the first thing you see is the two people standing on the right and then your eye redirects to the far left, due to its color and brightness of that side of the composition. This painting of a Sunday Afternoon on the Island of La Grande Jatte is composed by the golden ratio. The golden ratio is similar to Fibonacci Sequence, which is a drawing created by circles that connect to the opposite corners. The focal point in this composition is on the right. It is very hard to see the expression on people’s faces because its pointillism. But we do see the little girls eyes looking towards the man and woman that are standing on the far right of the painting. These action lines also lead our eyes towards the little girl on the back. The diagonal paths on the painting imply depth, and the vertical paths on the top right background give a sense of stability. There are also horizontal planes which create a sense of movement, but not dynamic movement.
the first thing you see is the two people standing on the right and then your eye redirects to the far left, due to its color and brightness of that side of the composition. This painting of a Sunday Afternoon on the Island of La Grande Jatte is composed by the golden ratio. The golden ratio is similar to Fibonacci Sequence, which is a drawing created by circles that connect to the opposite corners. The focal point in this composition is on the right. It is very hard to see the expression on people’s faces because its pointillism. But we do see the little girls eyes looking towards the man and woman that are standing on the far right of the painting. These action lines also lead our eyes towards the little girl on the back. The diagonal paths on the painting imply depth, and the vertical paths on the top right background give a sense of stability. There are also horizontal planes which create a sense of movement, but not dynamic movement.