Temper-Morley Analysis

Temper—Morley

I feel perfectly content at Woodrow Wilson Skateboard Park, a cement swell in the ground located just west of the easternmost point of the north side of Chicago and trapped perennially in the mental space inhabited by fourteen-year-old angry youths. Outside of home and school, it is the place where I have spent most of my life. Its terrain so familiar, I could navigate it blindfolded, towed on my board by a pack of feral dogs. Much of what I know of life, I learned there.
A sea of nods and handshakes and back pats welcomes my every arrival to this municipal oasis. Here, I am known. Called variously Mor, Bob Morley, Mordog, Mo, Mo Money, or (long story) Tom Pork. It is the only place on earth where (were an election ever to be held) I could almost certainly be mayor. Among the strange, sometimes downcast, and essentially good people here, I have found another family. I need them as much as they need me and as much as we all need skateboarding. This four-wheeled toy brings us inner peace. Skateboarding is a standing meditation, a time to put conscious thought aside and let primal
I was thirteen when I crashed into a beefy shadowy figure I had heard talked about only in whispers. This man, known by the word he had chosen to affix to hundreds of walls around Chicago, had earned a spot in the community as a respected graffiti artist and skateboarder. His improbably light feet and on-board grace were known to most of the city. I was barely inaugurated into the park scene when I plowed headlong into him, knocking both of us down, turtle-like and winded. I hadn’t been paying attention and apologized rapid-fire while trying to scrape my body off of his. When we both got to our feet, Temper knocked me down again and walked away without comment. It was the most frightening thing that ever happened to me at Wilson. He left the park that day, and I had seen him once, maybe twice,