The first movement of the composition begins with a solo from only the strings family. A soft, consistent melody is played and the violin dominates the other instruments in this piece. The tone color at the beginning of this piece is relatively light which symbolizes the characteristics of a nuturing mother. As expected from a classical piece, the dynamics of the piece suddenly change, and there is a slight crescendo in the piece during the following measures of the composition. The tempo of the composition grows quicker in pace which portrays another chapter in the story, signalizng another movement of the piece. A violinist them performs a solo that plays alot that is also quick, yet play alot on the concept of pitch. It can be heard that the violin goes from very low ranges to fairly high range in pitch to emphasize the great amount of emotion in the piece.…
What is the mood and setting established by the speaker in “The Love Song of J. Alfred Prufrock”?…
Bartók was a Hungarian nationalist and studied Hungarian folk music. While he composed in all genres, he is most known for his interest in folk music. He incorporated it into many of his pieces. Bartók collected, transcribed and anthologized Hungarian folk songs with his friend, Zoltan Kodaly.…
II. Analyzing: In this poem Olds does a great job painting a visual picture in the readers mind. “We are also in our/bed, fitted naked closely/ along each other¸half passed out/ after love, drifting back and/ forth across the border of consciousness, our/ bodies buoyant, clasped.” These lines allow the reader to see how much the couple love each other, and the enjoyment they have together. The imagery in these lines is so amazingly written and described.…
The orchestras played this piece to create a great closing to the concert. The conductor made a great decision to arrange this song to be at the end giving almost a sense of closure. The addition of the percussionist again helped give the piece the nice lifted feeling, as well as help the orchestra stay together; however the dynamic contrast between the four sections was rather light.The use of a snare drum drastically changed this piece, it feels more like a slow waltz. The little use of dynamics, however, kept the melody from popping out as much as it should have. In the beginning of the piece everybody played the notes with space between then; however towards the end, a few of orchestra members played the notes smoothly and connected whereas the rest of the orchestra played the notes spaced. The intonation and a steady tempo was retained throughout the performance which gave this piece a focused tone. The violins and violas did an excellent job using full bows, but the cellos needed to use long bows so they can create a deep, rich, and crisp sound. This piece made the audience feel excited and eager to hear more because many of the audience members recognized this…
The emotional journey of this great masterpiece continues within the second and third movement by bringing the listener back to feelings of calmness and sweet flowing melodic lines. This significant contrast from the first movement creates within an individual a sense of peace and tranquility that allows for the listener the opportunity to further enwrap themselves in the musical emotion of the piece. As the piece continues, this dolce expression crescendos with a melodic playfulness throughout the rest of the second movement and into the third movement taking the listener.…
The piece begins with a sweet one bar theme that is played by two solo flutes, representing the trickle of a small creek. The soft melody played in piano and “lusingando”, which means to be played in a coaxing style, convey the delicate and smoothness of the water. The ascending semi-quavers accompanied with a slight crescendo at the beginning of the phrase as well as a two quaver rests at the end of the bar create a rippling effect, symbolising the slight waves of a stream. Furthermore, the lone plucked pizzicato quavers by the strings add small splashes of colour to decorate the continuously flowing melody of the airy flutes. The light, fluttering tone colour of the solo flutes and the thin texture portray the clear appearance of the water as it makes its way across the land.…
The piece is composed based on a poem or lament about unrequited love by Pietro Dolfino. Based on the lyrics the lover laments the fate of his beloved after being locked up by her father who opposed to their love.…
Despite the dulcet cadence of the poem’s syntax, Roethke’s diction in certain lines of the poem disrupt the idealist dance that a son and father are participating in. With its simple ABAB rhyme scheme and trecet iambs, the true action of the poem is often lost among the sing-song quality of the lines; the rhythm almost acts as background music for the waltzing son and father. Themes of adoration and love are portrayed when the son “hung on” to his father (Roethke l. 3), implying that he appreciated the time he spent with his. The full line, however, states that the son “hung on like death”, which changes the tone of the poem from something that is cheerful to something that is violent and grim. This tone continues in the second stanza as they “romped until the pans/ Slid from the kitchen shelf” (ll. 5-6); these words used together create a scene of tumult and cacophony. The diction used in the poem creates a tone that can be rendered as both…
To introduce the piece two cadenzas inspired by the same melody are performed over a continuous subtle harmony. The piece begins with sustained chords between the string instruments and wind instruments. This gives a relaxed effortless tone to the piece and resembles the calmness and tranquillity of a spring day in England. The violin then enters imitating the lark. The violin plays an ascending pattern with elongated arpeggios. The chords underneath drop out so the violin plays a solo introducing the first theme. The orchestra is quietly introduced and develops the almost folk like motif. A folk dance theme is then introduced led by the clarinet and flute and woodwinds as the solo cadenza is repeated. The full orchestra then comes in however it is still fairly restrained to imitate the English countryside. There is antiphonal exchange between the solo violin playing a trill and then the woodwinds imitating the bird like call. This is followed by the solo violin playing a series of cadenzas over the orchestra which could represent the lark flying over the countryside and rolling hills. The shorter cadenza for the soloist is fairly contrasting in comparison to the rest of the piece. There are two separate melodies competing with one another yet also mimicking each other. There is…
The structure of the poem is another way the poet presents his feelings about marriage. The sentence length in the first stanza suggests that it is quite a long and methodical process leading up to finding a partner for marriage, “but then”, in the second stanza; once it occurs its a lot easier and is almost sets you free. The structure also shows the contrast between pre marital life with the difficulties of living alone and benefits and pleasure of sharing your life with someone, this is done by breaking up the stanzas, with short phrases such as…
never dark. Everyone become happy because of the moon and value the moon in their own…
Purpose: Acquire knowledge of an accomplished composer whose music is not represented in our listening assignments. Note: You cannot do a paper on a composer who is represented on the CDs accompanying the textbook. Appendix B lists many very good composers for you to select from for your paper. If you choose a composer who is not in this list, please check with me before you begin your research. If you have trouble deciding, try finding a composer from the country of your family's origin. I am also happy to make a suggest for you.…
Become Fashionista is the main key word of La Sape. La Sape is a social movement occurs in Congo who devote their income to purchasing fine clothing and accessories, assuring they innovate the morale of their neighborhoods by being an example of couture and courtesy to others. Congo is well known as poverty country and interminable with civil conflicts. This is not the way cease La Sape “dream” to express their lavish apparel. The story of La Sape began when French colonization entered to Congo.…
The piece consisted of only one melody, performed by male voices in sync without any instrumental sounds. In addition, the tone of the piece was modal with tonic pitch of G and the third above it. Since the dynamics of the piece maintained from mezzo piano to mezzo forte without sudden or drastic dynamics changes, the piece flowed smoothly creating a great pleasure to the listeners. I enjoyed the smoothness of the piece and the descending scalar passages greatly adopted throughout the music. However, I did not appreciate much of the free style of the stanzas and the short…