In the 4th paragraph of this essay, the author, Alex Horton explains how his feelings and memories can never fully be realized in a piece of jewelry no matter the care put into its creation. For his example, the metal bracelet he refuses to take off for anyone bears the date of his friend’s death on a shared battlefield years ago. In the beginning, it seems he is almost upset by the simple sterility of the ordering website’s ease of use and the removal of emotion until seeing the finished product. Alex mentions it sometimes may only be redundant and questions how insignificant it is when measured against what he remembers of that person and that fateful day in Iraq. Unfortunately, while it does serve as a daily reminder of the importance of…
In “Total Eclipse,” by Annie Dillard, Dillard contrasts the emerging ring of light around the sun to an old silver wedding band or a morsel of bone in order to juxtapose the different feelings the eclipse raises as well as portray the lasting impression the total eclipse had on people. A worn wedding band insinuates the notion of the eclipse’s beauty and excitement in suspense of it, just as a marriage; moreover, a marriage lasts forever much like the imprinting the eclipse leaves on people. Dillard, for example, become attached to it and recounts it as lingering in her memory forever; so much so that she could write about it two years later in exceptional detail. Dillard belies the wedding band with a morsel of a bone, which serves as a symbol…
The use of enjambment leaves a truncated “touches mine” thus emphasising a sudden realisation. Like a haunting thought, the woman’s hand reminds Skrzynecki that the museum, a metaphor for his Australian heritage can never be entirely dissociated with his identity. The curator’s hand is a parallel to the lone tree motif, a symbol of his Polish heritage, in Postcard which whispers “we will meet/before you die”. These techniques represent his internal conflict; he is not at peace with his identity and his sense of self is fractured. This internal conflict is what causes his inability to belong or associate with the museum and his Australian…
In “Most Like an Arch This Marriage”, poet John Ciardi uses symbolism, similes, metaphors, and imagery when comparing his marriage to an arch. The theme illustrates that marriage can be an ideal, happy, blissful union. Ciardi shows how he and his spouse are “two weaknesses that lean into a strength” (5), and how, when partners act alone, “what’s strong and separate falters” (10).…
The story includes a number of physical objects that have a special significance for the characters (symbolism): Sarah’s fleur de lis button, Charlotte’s story quilt, the rabbit-head cane that Handful receives from Goodis, and the spirit tree. Choose one or more of these objects and discuss their significance in the novel.…
Love is the emotional investment that pushes people to their limits. This is demonstrated in the film “Pieces of April”, when our protagonist April is pushed to do something for the sake of love, even though she dreaded every moment of it. She tries to prepare a Thanksgiving meal for her and her family with hopes to be reunited after years of negligence. Although she tries to conceal her exhilaration it is clear and obvious that she is eager for her family’s arrival. Her attempt at cooking a meal for her family and going through so much difficulty is not so literal. It represents the notion of how love can push people into doing impetuous things. The deficient love of a girl for her family can make her do so much. The relationship between April and her mother, Joy, resemble the relationship of Tiffany Chan and her mother from the short story "Of Kin and Kind". Both the mother and daughter relationship is very rigid and tense. Tiffany claims that her and her mother may be of the same blood but they are anything but alike, by declaring "We were kin, but less than kind". This quote can also reflect April’s view on her and her mother’s relationship. We all believe that our similarities brings us close and our difference separates us without knowing that the only thing still holding our ties is the love we have for each other. That love is what makes us forget the conflicts and disagreements we may have and reminds us that no matter how different we are, we learn to accept and love each other. Bobby, April’s boyfriend, also illustrates how love can give people unbelievable strength and make them overlook the concept of possible. He claims his mother lifted the car to save his life after they had been in an accident. He carries his belief and shows what a person can accomplish if they carry love within themselves, “When you have love you do things you never thought you could. She had a moment of unbelievable strength because she had love”. The power…
In Billy Collins’ poem “Divorce”, he describes how marriages usually lead to divorce through his use of symbolism in the poem. Collins begins the poem by symbolizing a married couple as “Once, two spoons in bed” (Line 1). This line is significant because it shows the married couple as the kitchen utensils of spoons. The spoons symbolize how married couples are one team together and like spoons that hold substances the couple hold each other in bed which shows there love for one another. The setting of the spoons in bed also portrays the couple in a peaceful and comfortable setting. Then, the poem moves into a stage before divorce, and Collins mentions the married couple when he says “now tined forks” (2). The married couple now symbolize forks…
There were also so many memories they reasoned, and both men brought those memories to life as their presentation of their 'labor of love ' is presented towards the…
In the short story Lessons of love, from Silent Dancing by Judith Ortiz Cofer; she uses literary devises to send the purpose of her love story. Cofer’s many literary devices where that of detail, simile, and personification to emphasize her message and the lessons she learned from her experiences.…
In the play “Post It’s (Notes on a Marriage)” the characters influence the other by the challenge of maintaining a long term relationship. Their entire relationship and way of communication with each other is by leaving post-it notes since they both have a busy life and barely spend time together, “I cant take this anymore! We barely communicate…there got to be more to this marriage than scribbled words on a small square of paper…” (Holzman and Dooley pg 1332). They both managed to find a convenient and effective way to say what they have to say to one another even when times get rough. This human connection they have created through scraps of paper create this dependence on a useless object to keep a hold on something that in my opinion…
When we look at what the symbolic imagery of marriage and divorce carries in today’s society we can see how the translation of different symbols carry different meanings now than what they carried 100 years ago. 100 years ago getting divorced was viewed as immoral, people actually held themselves accountable based on how others in society viewed them. Marriage has become more how you feel all the time, instead of how the commitment to the marriage itself is paramount. The changes over the past 100 years in the symbolic interactionism of marriage can be directly connected to the rise in divorce rates in today’s society. The differing viewpoints on symbols of marriage, divorce, and commitment have altered our collective thoughts in our modern society on the symbolism of marriage.…
A number of well-thought out socio-culture proverbs, which highlight the cultural values of mankind by spotting on the fact that the quality of life lies within the quality of relationships we have, actually refer to the depths of social associations that the masses possess and extract out the true essence of human life in relation to the social surroundings humans are engrossed with. This reveals that a true relationship is when one loves for the sake of loving and not for achieving some desired outcomes. Love is all about selflessness and relationships are all about nurturing true feelings of esteem and affections for others. Relationships do not require explanations but can be deemed as the phenomena which make people laugh with others and not at others; cry for others but never make others cry, and adore others but never expect rewards from them. All in all, it can be presumed that relationships are the true reflections of a person’s inner soul. As what you think so you shall, therefore, think high to experience high in your relationships.…
Tita’s marriage bedspread shows how love cannot fully satisfy one’s needs. Pedro’s bouquet of roses reveals the harm and pain in a romantic relationship. Lastly, the over-powered sex represents true love finally coming together, but ending in lifelessness. Although it is desirable for true love to be effortless and untroubling, the author not only shows the goodness and richness of love, but also exposes the hardships and pessimistic outcomes…
In the novel, Soul Mountain by Gao Xingjian the significant themes like ‘loss of self’, ‘division and integration of self’, ‘timelessness’, and ‘transcendence’ are recurrent in Xingjian’s writing. Xingjian brings these themes to life by the unique network of images, metaphors, and symbols which float throughout the text taking clear precedence over language. Xingjian expounds these images, knitting them into different patterns, putting those patterns into several clusters and then holding those clusters up in an intricate net. One such image cluster, abundantly found in his writing, deals with sexual liaisons. To explain these sexual instances, Xingjian takes aid of images rather than words. Words are descriptive and belong to the language where as the images belong to the reader. Running parallel to these sexual or psycho-sexual images, are the over powering waves of ‘energy’ with their respective crests and troughs. It is through these high and lows of energy that Xingjian illustrates how creativity emerges. Therefore, he clearly lifts his text up, reeling it away from the clasp of language, strong hold of words and dropping it slowly into the hands of the reader where the images, swirling with life, help evoke the reader’s senses. The reader the, becomes a willing partner in this expedition where his task is to decipher the image patterns, and their fluctuating energies.…
All of us at some point in our lives have been collectors, be it coins, cards or tickets. The affinity humans have for objects are not something new. Rather, it is something that manifests itself in anyone and everyone. There are two kinds of objects; those with a certain practical use, something that is a part of our everyday life, and we give no thought to them, or think of them as anything out of the ordinary, mundane day to day life we lead. But then there are those objects that transcend this boundary of practicality. For those are the few material things we treasure. They have value beyond what was intended when they were made, for what draws us to these items are the sentiment, the allure. For the collector, the object ceases to be inanimate, becoming instead an integral part of their life. As Jean Baudrillard says, “it is invariably oneself that one collects”. This rings true, for the collection is a reflection of the collector, and vice versa. For many, these objects have taken the place of the more erratic, unpredictable human relationship.…