Oppenheimer follows the process of making each of the scenes of the movies: a gangster, western, war, and musical scene. Two scenes that appear to disturb Congo are the gangster scene, and the war scene. In the gangster scene, Congo becomes upset when they blindfold the victim and wrap a wire around his neck-just like he did in his killings- and utters to stop the scene because the room is getting hot. In the war scene, the group kills a Communist, and in Congo’s character’s nightmare, the Communist comes back to haunt him just like in Congo’s real nightmares. Congo doesn’t preform the scene to the group’s expectations, and-seeing that he plays victim- realizes the killings might have been terribly
Oppenheimer follows the process of making each of the scenes of the movies: a gangster, western, war, and musical scene. Two scenes that appear to disturb Congo are the gangster scene, and the war scene. In the gangster scene, Congo becomes upset when they blindfold the victim and wrap a wire around his neck-just like he did in his killings- and utters to stop the scene because the room is getting hot. In the war scene, the group kills a Communist, and in Congo’s character’s nightmare, the Communist comes back to haunt him just like in Congo’s real nightmares. Congo doesn’t preform the scene to the group’s expectations, and-seeing that he plays victim- realizes the killings might have been terribly