The Classical Film: Rebel Without A Cause

Movies are a special tool that can keep one company when they are in a moody situation. It is a contrivance that is being used almost all over the world by different types of people for a particular purpose. There are diverse film genres like comedy, action, family, musical, and romance that are being produced each year in the twenty-first century but however, the twentieth century has contributed various types of classic films such as King Kong, Annie Hall, which can never be forgotten. Director Nicholas Ray became immersed in the left-wing Theatre of Action which brought him in touch with Elia Kazan, as well as various federal theater programs. He also became a devotee of southern folk music, which led to close associations with Alan Lomax and such singers as Lead belly, Woody Guthrie, and Josh White and a weekly radio show for CBS in the early ’40s that developed into wartime work for the Voice of America under John Houseman (Rosenbaum, par 3). Ray has directed more than one motion picture, but one of the talkie
James Dean is a troublemaker who moved to a new town; as a consequence, he is supposed to have a clean record because of his behavior and his problems with the justice and the alcohol. He first met with Judy and Plato at the juvenile he was taken to just after he got drunk one night, on the other hand, they didn’t know each other by then. Judy is a young teenage girl who is frustrated at her father, he calls her names such as dirty tramp, and moreover he doesn't like anything about her. Plato was at the juvenile as a result of shooting some puppies, his family is divided, his mother is always away and his father hasn’t visited him in a long time. Dean is frustrated seeing that his mother is acting like the father of the house, she’s always picking at his father (Rebel without a