Silverblatt’s keys for interpreting media messages as well as critical thinking skills will be incorporated in this selection analysis. In 1939 when television began, blacks were projected as mere servants and simple-minded people. Blacks and whites were certainly depicted as inherently different beings. Early sitcoms in the 1960s such as Amos n Andy continues with negative portrayals of black people which depicted mostly lazy, loud, uneducated blacks as the stereotype for their race. Then in the 1970s other sitcoms followed along the same lines such as Sanford and Son and Good Times (Crenshaw). The Cosby Show, which first aired in 1984, was the most popular television program in the nation for four consecutive years and remained a favorite show for a total of seven years. This important show effectively functioned to change the way Americans would view the roles of race and gender on television forever. The Cosby Show was a sitcom on NBC about a successful black American family. Cliff, the father, was an obstetrician and his wife Clair was a successful attorney. The story was about their daily lives and challenges of raising five children in a very busy household. The show offered a different theme when compared to all other shows being televised at that time. The Huxtable family was an upstanding upper-middle class black family who offered sharp contrast to other programs that portrayed blacks as stereotypical low-income, uneducated hustlers (White Racism). Bill Cosby and script consultant Alvin Poussaint functioned as media communicators as they shared the common purpose of incorporating humor as a means to help project a more positive image of the black American family.
They purposefully avoided overt racial issues but chose to use a softer approach such as referring to the names of black colleges instead of predominantly white colleges. One of the episodes showed the Huxtables celebrating Martin Luther King’s birthday as they discussed his famous “I Have a Dream” speech (Crenshaw). The use of nationally broadcast television allowed the subtle content of this show into the majority of American homes. This post civil right movement era was a perfect time to provide a more diverse ethnic awareness for the American
public. The intended audience for this show included both white and black American families. Overt racial issues were avoided in an effort to avoid making the audience uncomfortable. Family values as well as current social issues were common themes on the program. The father, Cliff, also overtly supported his wife’s feminist stances on some episodes, which was also not common in the media during that era. This was truly the first family of television for many years. The scripts were constantly screened to make certain that no humor would be demeaning. The show really acted as a catalyst for changing how television portrayed black Americans. The program was awarded an Emmy for Outstanding Comedy Series its very first season (The Cosby Show). “A critical theory raises the question and provides alternate ways of interpreting the social role of mass media” (Baran & Davis 203).
Works Cited
Baran, Stanley J., and Dennis K. Davis. Mass Communication Theory: Foundations, Ferment, and Future. Belmont, CA: Thomson/Wadsworth, 2006. Print.
Crenshaw, Anthony. "The Cosby Show Changes the Way Blacks Are Viewed." Web. 11 April 2011.
"The Cosby Show - Season 02 (DVD) (XviD) Series Download Torrent Ed2k." ShareReactor. Web. 11 Apr. 2011
"White Racism and "The Cosby Show" by Mike Budd and Clay Steinman." JCsplash. Web. 11 Apr. 2011.