Preview

The Design Philosophy of Ruby Ross Wood

Better Essays
Open Document
Open Document
1054 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
The Design Philosophy of Ruby Ross Wood
The Design Philosophy of Ruby Ross Wood
D’Aja Anderson
Professor Jennifer Hopkins
Tidewater Community College- SDV 101
17 December 15, 2012

This paper expounds on the life and design style of Ruby Ross Wood. Her abstract life was during the cookie cutter times of the 1900’s. During these times the everyday woman went from being a homemaker to earning wages and being a prominent member of society. It was an excellent time in history when the women of the world stood on the threshold of greatness. The world desperately needed an eccentric, intelligent, and strong female designer in the public eye who would forever change the way we look at design and what is beautiful. Being a descendent of several families prominent in America since Colonial times, Ruby Ross was destined to greatness. Her youthful charisma and sharp tongue won the hearts of many people in the public. During her years as an interior designer, Woods accomplished extraordinary things. Though many say her death cut her life and success as a designer short, she left behind many works that generations to come will still be enjoying.

Ruby Ross Wood
Though many people around the world may be unsure of what to think of Ruby Ross Wood’s personal conduct, she was still a popular designer whose vision astounded the world. Her design work was a great combination of “de Wolfe’s often stagy European style and the more reservedly American, less precious look of another tastemaking Elsie, Elsie Cobb Wilson” (Petkanas). It may be that Ruby Wood’s bold interesting writing that contributed to her design genius in early days, but the later days her use of colors and bold concepts is what opened people’s eyes to her true brilliants. A compound looks at her road to greatness, the issues she faced as a new designer and her legacy after her death.
Road to Greatness
Ruby Ross Wood was born October 26, 1881 in Monticello, Georgia. She was the eldest daughter of a successful cotton broker. Wood’s first

You May Also Find These Documents Helpful

  • Satisfactory Essays

    In 1945 in Grapeland Texas a little girl named Ruth J. Simmons was born. She grew up on a farm in East Texas and had a life of hardship and deprivation. Ruth had a wonderful grounding by her parents and an extraordinary streak of luck. She had mentors who challenged, supported, and encouraged her to pursue her dreams. One of the most influential mentors was her mother, whom Ruth watched for hours pressing fabric.…

    • 301 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Ruby Bridges was born on September 8, 1964 in Tylertown, Mississippi.Ruby’s full name is Ruby Nell Bridges.She lived on a farm where both her parents and grandparents sharecropped.When Ruby was four she and her parents moved to New Orleans hoping for a better life in a bigger city.A few years later Ruby soon had two younger brothers and a sister.When Ruby was in kindergarten she was offered to take a test to see if she was smart enough to attend an all white school.If none of the students passed the test then the school could stay an all white school for a little longer.When Ruby’s father found out that Ruby was offered to take the test he wasn't very happy.But when her mother said that she would get a better education at an all white school, he let her take the test.In 1960…

    • 423 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The assignment this week was to write a two-page paper describing how the Victorian Movement, Arts and Crafts Movement, and Art Nouveau Movements were related and/or impacted each other. In order to accomplish this task, one would have to explore the origins of Art Nouveau. Upon reading the selected reading and reviewing the required videos it was clear that it could be argued as to which was the last movement of the Nineteenth-century or the first movement of the Twentieth-century. Additionally, it could be concluded from the selected reading that Art Nouveau best fits into the end and the beginning of the Arts and Crafts movement, dating from 1895 to 1905. It was a continuation of the older arts and crafts movement of the British designer, William Morris.…

    • 669 Words
    • 3 Pages
    Good Essays
  • Good Essays

    From 1920s till her death Chanel pioneered innovative designs for women. Almost singlehandedly introduced ‘sportswear, the poor boy look, designer perfume, suntans and the little black dress’ Her inspirations derived from ongoing change of society and a common man (explaining how the androgynous look developed). During late 1920s to early 1930s, Chanel was part of a group of well-dressed woman and gradually ‘everyone was copying her’ (Field 1983 pg.104). The trend that Chanel started saw woman gradually wearing trousers as it was a garment far more aesthetically pleasing and practical compared to a dress. It was a new silhouette for women and the ‘most spectacular innovation brought about by Chanel’ (Charles-Roux). The dramatic change of silhouette during the era was positively accepted and believed to be ‘quintessentially…

    • 744 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Mary Cassatt’s earlier style was characterized for colorful scenes from contemporary life. After being influences by the impressionists she developed a distinctive style that combined a light, bright, palette with strong contours and confident volumes. In 1882 influences by two Japanese woodcuts she began to emphasize informal natural gestures and positions. She was attracted to the simplicity and clarity of Japanese skillful use of blocks of color, e.g. “The bath”…

    • 670 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Louise Nevelson Analysis

    • 655 Words
    • 3 Pages

    In Louise’s times; Alexander Calder, David Smith, and Theodore Boszak were great colleagues. Many famous works were her walls, boxes, and abstract shapes from found objects. Nevelson called herself “the original recycler”. She mostly used the colors black and white to discipline…

    • 655 Words
    • 3 Pages
    Better Essays
  • Best Essays

    Comparative analysis of Mary Quant’s and John Stephen’s contribution to mod fashion style in 1960.…

    • 2869 Words
    • 12 Pages
    Best Essays
  • Good Essays

    Sophie Gimbel: Fashioning American Culture. The Aronson Gallery, Sheila C. Johnson Design Center. January 22- February 12, 2013.…

    • 978 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Coco Chanel

    • 665 Words
    • 3 Pages

    Thesis Statement: The designs created by Gabrielle “Coco” Chanel inspired an entirely new concept to women’s fashion by simplifying women’s clothing while still making it fashionable.…

    • 665 Words
    • 3 Pages
    Good Essays
  • Good Essays

    As a registered nurse, I have been tasked with providing care to patients suffering from various medical conditions, but now I am ready to provide a different type of care in the form of beauty and art. Despite finding my current profession immensely gratifying, I always knew my true passion was in interior designing and decorating; hence why I have made the ambitious decision to go back to school for a new career in interior design. I have always enjoyed working with colors, patterns, and personalizing my home with DIY projects, such as remodeling a storage room into a guest bedroom and tearing down a wall to create a larger living room. I find myself constantly glued to home improvement shows and going through home magazines to find new ways of decorating,…

    • 578 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Public opinion of architecture, among countless other industries, was that it had begun taking on a lifeless, utilitarian aesthetic. This machine-driven architecture lacked creativity. Yes, you can produce more, but is it at the expense of quality and design? The right-brain of society was feeling a lack of individuality. Sure, they could perceive the brains behind what was going on, but where was the heart of it all? Consequently the Arts and Crafts movement was born as a rebellion to the negative impact of industry.2 The red house, designed by Philip Morris Webb, is a quintessential representation of everything Arts and Craft stood for. Each aspect of the structure has various minute, unique details in order to emphasize the true craft. Every window is slightly different and a touch of gothic influence is apparent in the wall arches above the windows, as to suggest a memory of a more ornamented time. This movement was about bringing the theory and expression back into architectural design of space. Antonio Gaudi, a forerunner of the Arts and Craft era was equally inspired by the theories of Ruskin as he was by the music-dramas of…

    • 1121 Words
    • 5 Pages
    Good Essays
  • Satisfactory Essays

    Week 2 infographics are continued research and design. The design narrative is the historic graphic designer that formed an impact in graphic design. Art nouveau, Art Deco and modern art contributed to graphic designs and the designers paved the way for effective communication. A timeline was added in week 2 designs and Frank M Robinson, PaulScher additional were added. The design timeline continues to represent the modern simple art style of Marjane Satrapi. What I learned is historic event mirror creative styles and environments are a factor. For example, frank. M. Robinson the coca cola designer used a script for the coca cola logo. The environ Atal factor may have the social impact from the 1800’s that penmanship was a sign of class and…

    • 207 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    Duchamp Essay

    • 514 Words
    • 3 Pages

    His ‘ready-mades’ lead to new possibilities such as non-art materials and ideas about the conceptual basis of artworks. Society began accept these new materials and ideas about art which helped Robert Rauschenberg create is Combines, which was his term for his technique of attaching cast-off items, such as tires or old furniture, to a traditional support. ‘Bed’ is one of Rauschenberg’s first Combines and is a well-worn pillow, sheet, and quilt, scribbled on them with pencil, and splashed them with paint, in a style reminiscent of Abstract Expressionism. These bedclothes are supposably Rauschenberg’s own, thus making this as personal as a self-portrait, or more so – a quality consistent with Rauschenberg’s statements, “painting relates to both are and life… (I try to act in that gap between the two).…

    • 514 Words
    • 3 Pages
    Good Essays
  • Satisfactory Essays

    Yohji Yamamoto Pour Homme

    • 391 Words
    • 2 Pages

    Yohji Yamamoto was born 1943 in Tokyo to a widowed mother who worked 16 hour days as a dressmaker. She became his first “women in black” and helped solidify her son’s passion for design. Yohji worked in his mother’s shop until she sent him off to college to study and become a lawyer. The subject did not interest him much and it wasn’t long before Yohji went back to work in his mother’s shop. As a condition of working in her store, however, Yohji had to attend classes at the Bunka School of Fashion in Tokyo. He excelled so much in…

    • 391 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    Rei Kawakubo

    • 4071 Words
    • 17 Pages

    One of my favourite Japanese designers, Rei Kawakubo, founder of Comme des Garcons, was born in Tokyo in 1942. Being untrained as a fashion designer, but having studied fine arts and literature, she conveys her ideas verbally to her patternmakers. After graduation Kawakubo worked in a textile company and began working as a freelance stylist in…

    • 4071 Words
    • 17 Pages
    Powerful Essays