stage IV thyroid cancer patient, falls in love with supposedly “cancer-ridden” Augustus
Waters. While the love tale is thoughtful and intriguing, I found myself predicting the
ending of the novel on page 23 of 313, finding that the predictability of the plot was an
immensely upsetting aspect of the novel and a disappointment that largely differentiates
this novel from John Green’s others. However, Green’s superior writing style still scored
high with me, resulting in my rating of a 6 out of 10, the loss of four points being a direct
result of the predictability of this novel. While confronting others who have read this
novel as well, they would often present to me the argument of predictability versus
foreshadow, and the very fine line between them. My rebuttal usually stays along these
lines: Augustus Waters, the stereotypical “hot boy”, as Hazel Grace describes him, comes
to his friend Isaac’s support group (the one that Hazel just so happens to attend), claims
to be free of cancer (and it very much appears that way), but admission into the group is
only granted to those with traces of evident cancer. That is my first argument, which is
much weaker than its successor. My next argument comes on age 23, when Augustus
and Hazel are discussing the invention of cars that make driving for people with
prosthetic legs easier (as Augustus has a prosthetic), he finds hope, sighing, “Maybe
someday”, which prompts Hazel to say to the reader that he “sighed in a way that made
me wonder whether he was confident about the existence of someday.” This text would
have been completely irrelevant had it not been for the ending of the novel (spoiler alert)
of Gus dying of cancer. However, what the novel lacks in stability of plot twists is made
up for in the irony of the ending, that being how Hazel Grace, the character