Russian ballet costumes survive some of the most concrete link these efforts intimate, sophisticated, sensual materials and forms, apparel and hard to bear evidence of continuous use. They are their own designers, their manufacturers experienced hands. Diaghilev show, creative cooperation and cultural inclusiveness is the future. From the vantage point of the Russian Ballet "centennial, we can see that it's tradition and legend continue to challenge and joy.
Alekandr Golovin hired designer designing his 1908 opera, Boris Godunov • became active participants in the exhibition and miriskusniki project. His clothes are subject to the traditional Slavic festive costumes by men and women, with a white robe belt stencilled in pale colors and patterns to simulate the rich tradition of brocade and braids. Diaz Ge Lie in 1926, restored the ballet, debugging Natalia Goncharova to design new sets and costumes, some of which are decorated with decals of different materials in addition to modify the original from 1910. November 1936 at His Majesty's Theatre in Melbourne Firebird Sudan revival of production for the Monte Carlo Russian Ballet of Golovin's