The narrative juxtaposition between Vito’s rise to power in America from 1901 through the mid-‘20s and Michael’s rise of that power in 1957-58 represents how their stories run parallel. The film emphasizes that correlation between Michael and Vito through flashbacks. Michael was said to resemble his father most in terms of intelligence, personality, and cunning. Both Michael and Vito are soft-spoken and contemplative yet, their actions are equally brutal. Vito Corleone kills Don Fanucci for extorting the Sicilian community in New York and out of personal annoyance of being affected by the mobster’s clutch over the community. As Vito fires the gun, the gunshots were drowned out by a religious celebration. This alludes back when Michael devised a plan to kill the five family heads. Michael was at his nephew’s baptism in which he becomes the godfather to him. Both religious events symbolize the rising point of their power. Both characters started out trying to make an honest living, but deviates from that path after the murders.
Lighting has manipulated