At the beginning of the play, Algernon claims he doesn’t “see anything romantic in proposing” (1.85-86) but when he has ‘fallen in love’ with Cecily he asks if she will “marry [him]” (2.536), contradicting his previous opinions on marriage. The playwright presents the readers with the idea that love will cause one to do something normally out of one’s actions, in this case, get married even though Algernon is clearly opposed to the idea. One can argue that he simply found his soulmate and is certain he wants to spend his life with Cecily, but it’s not realistic to be in love with someone with only one brief encounter; it’s hardly enough time to love someone as a person. At this stage in time, one can only be infatuated with the physical appearance of one. This once again ties back to the skewed perception of love Wilde embodies with The Importance of Being
At the beginning of the play, Algernon claims he doesn’t “see anything romantic in proposing” (1.85-86) but when he has ‘fallen in love’ with Cecily he asks if she will “marry [him]” (2.536), contradicting his previous opinions on marriage. The playwright presents the readers with the idea that love will cause one to do something normally out of one’s actions, in this case, get married even though Algernon is clearly opposed to the idea. One can argue that he simply found his soulmate and is certain he wants to spend his life with Cecily, but it’s not realistic to be in love with someone with only one brief encounter; it’s hardly enough time to love someone as a person. At this stage in time, one can only be infatuated with the physical appearance of one. This once again ties back to the skewed perception of love Wilde embodies with The Importance of Being