When The Lord of The Rings was first published there was a lot of talk about its relation to the second World War. It got to the point that in the foreword to a later edition, Tolkien explicitly said that no, it was not in any way an allegory of World War Two. Tolkien wasn’t a huge fan of allegories, to the point where he usually considered them detrimental to the story (and also the biggest flaw of C.S. Lewis’ The Lion, The Witch, and The Wardrobe). Rather, he liked the idea of ‘applicability’; there is a point to it all, but it’s one for the reader to make up.
The Lord of The Rings does have major themes: the smallest can accomplish the biggest, teamwork over competition, war is bad, good …show more content…
There’s not much plot, there’s not much in the way of a clear theme neither. The take away I got (and wrote a paper on) was that it is a book that lets you live as someone else for the altogether-too-much-time you’ll spend reading it; though everything external mayn’t be resolved, the book itself has the resolution that comes at the end of a day. But that was my take away; a friend of mine found more weight with Leopold Bloom’s interactions with women, another just plain hated the book. This space in interpretation is what lets us spend hours loudly discussing fictional character’s sex lives over pizza and …show more content…
I don’t think stories should preach at you, they should be designed to entertain and let the reader experience and feel something they wouldn’t ordinarily. Firefly will forever be dear to me because it’s about life on a ship and Iron Man 3, way I see it, is a story about identity. Someone else will like (or hate) them for different reasons, and others will find my interpretations deeply flawed. But that’s the beauty of fiction. The story’s there on the page, on the screen, in the panels, prepared by the writer for you to understand in your own